Journal writing is most definitely an art, but how often do we actively use art in our journals?
We writers are passionate about our journals and notebooks, those sacred spaces where some of our best ideas manifest.
So it makes sense to rig our journals so they inspire us as much as possible. And what’s more inspiring than art?
Let’s look at some ways we can fuse art with journal writing in order to cultivate inspiration and creativity. Read more
We all want our writing to be compelling, even mesmerizing. One effective way to captivate readers is to engage their senses.
When you trigger a reader’s sense of sight, smell, sound, touch, or taste, you illicit a physiological response to your writing, and the reader will connect with it on a deeper, sensory level.
Food is a great way to stimulate readers’ senses because food has the rare ability to affect any or all of the senses. We see food, smell it, touch it, and taste it. We even hear it. Just think about french fries sizzling in a greasy skillet. Mmm. Read more
We all make mistakes in our writing. The most common mistake is the typo — a missing word, an extra punctuation mark, a misspelling, or some other minor error that is an oversight rather than a reflection of the writer’s skills (or lack thereof).
A more serious kind of mistake is a deep flaw in the writing. It’s not a missing word; it’s a missing scene. It’s not an extra punctuation mark; it’s an overabundance of punctuation marks. And these mistakes aren’t limited to the mechanics of writing: plot holes, poor logic, and a prevalence of bad word choices are all markers of common writing mistakes that are often found in various forms and genres of creative writing. Read more
I know some writers are diligent about keeping their journals pristine. The pages are crisp, the lines straight and legible, and every word is thoughtfully selected. The theme is consistent — a dream journal, an idea journal, a diary. It’s an orderly affair done up in a tidy fashion. And that works for some people.
But it doesn’t work for me.
If I’m going to be creative — if I’m going to let my creativity flow — then I need to let things get messy. I need to dig my toes in the mud, bury my fingers in the clay, and splash paint across the walls. I can’t be confined by order or logic. I need to write sideways and upside down. I need to doodle. Jot down song lyrics. Make smudges. I need to be free.
And I’m not the only one. Read more
Setting is one of the most important elements in fiction writing. If your readers don’t know where the story is taking place, they’ll get lost and confused, and it will be hard for them to enjoy your tale.
Some stories have simple settings based on real places. You can use your hometown or a major city. A setting can also be completely dreamed up, which is often necessary in speculative fiction writing (Wonderland and Never Land, for example). You can keep a setting in the background, referring to it only when necessary, or you can bring it to the forefront and allow it to function as a character in your story.
Some authors go to great lengths to take the reader through a story’s setting. Just last year, I read a book in which the character drove around Los Angeles. The author took us down L.A. streets, past parks, and into real neighborhoods and establishments. It was a bit much, but I’m pretty sure if I were a resident of L.A., I would have gotten a little thrill out of the familiarity.
Today, we’ll take a deeper look at setting with a few fiction writing exercises designed to help you establish the settings in your story. Read more
Today I’d like to share a sneak peek at my forthcoming book, 10 Core Practices for Better Writing, which will be available in early July.
The book explores 10 essential habits that every writer can adopt to become a master of the craft of writing.
Adjectives and adverbs are modifiers. Adjectives modify nouns whereas adverbs modify verbs, other adverbs, adjectives, phrases, and clauses. In fact, an adverb can modify an entire sentence. This gives adverbs a rather large playing field; maybe that explains why they are overused. Read more
I recently flipped through my copy of Susan Goldsmith Wooldridge’s Poemcrazy: Freeing Your Life with Words, and after just a couple of chapters, my imagination was on fire.
I’m always looking for new ways to inspire writing ideas, and lately I’ve been thinking that we should talk more about a writer’s most basic building blocks: words. So using words as a way to come up with writing ideas sounded ideal to me.
In Poemcrazy, Wooldridge talks about collecting words. She captures words, stores them, and then stashes them in all kinds of interesting places where they might come in handy.
As I read about how this brilliant poet gathers words so she can use them to jump-start her creative writing, I saw how the idea could apply to any kind of writer, not just a poet. I also saw how physically collecting words could be exhilarating. Read more
Today I’m excited to share a sneak peek at my forthcoming book on storytelling. It’s the first book in the Storyteller’s Toolbox series, and it’s titled What’s the Story? Building Blocks for Fiction Writing.
This excerpt is from the introduction; it talks about the magic of story and what you can expect from the book. Enjoy! Read more
I’ve always had mixed feelings about television. It’s a bit disturbing when people spend all their free waking hours staring at a screen with their brains turned off and a glazed look on their faces. And television is unreliable as a source of information. I’ve found that many of the news shows and documentaries that air on commercial television stations are full of factual errors and misinformation. These days, we all need to double-check the facts (and sources) before repeating what we hear on TV.
On the other hand, there are some great shows that have graced television screens over the past century. Read more