Today’s fiction writing exercises are designed to help fiction writers gain a better understanding of their characters, including antagonists, by learning how to relate to contradictory or opposing viewpoints.
Remember, an antagonist is not necessarily a villain. An antagonist is anyone whose purpose is at odds with the protagonist’s goals.
The most effective characters are unique and complex, not cardboard cutouts of ourselves. That means we have to get into the heads of people who are strikingly different from us.
These fiction writing exercises will help you do just that. The idea is to try and view the world from a perspective that is completely different from your own. Read More
Today’s post is an excerpt from 101 Creative Writing Exercises. This exercise is called “Quoteworthy.” It’s from “Chapter 4: Speak Up.” Enjoy!
One of the greatest achievements a writer can make is writing prose that is quoteworthy. Many great lines and slang words or phrases have come to us from plays, books, poems, and movies. Read More
Ah, the senses: sight, sound, smell, taste, and touch. How do they relate to poetry writing?
We delight in the pleasures of the senses, but infusing poetry with sensory stimulation is not an easy task. It takes a deft and creative writer to forge images — using text — that engage a reader’s senses.
So why bother?
When you engage your readers’ senses, your poetry becomes more compelling and more memorable.
Some scientists say smell is the strongest of the senses in terms of memorability. If you get your readers to physically experience scent (or any other sensation), you’ll have them hooked. Surely you’ve read a passage that described the delicious scent of home-cooked food and found your mouth watering?
Today’s poetry writing exercises are designed to help you write with more sense. Read More
Whenever I’m working on a story idea, I spend a lot of time during the development stages making character sketches and writing backstories for my characters. I usually end up with too many of them, so some characters get cut. The lucky ones get resurrected in some other story.
Some of my favorite stories are plot-driven, but character-driven stories tend to resonate with me on a deeper level, which is why I believe that regardless of plot, stories with strong and compelling character arcs are the best. They start with a character who wants something, and we see the character through conflict after conflict until he or she emerges changed, usually stronger and for the better. Read More
Today’s post is an excerpt from 101 Creative Writing Exercises, a book that takes you on an adventure through the world of creative writing with exercises that offer techniques, practice, and inspiration.
This exercise is from “Chapter 7: Form Poetry.” It’s called “Invention of Form.” Enjoy! Read More
Today’s poetry writing exercise comes from my book 101 Creative Writing Exercises.
The exercises in this book encourage you to experiment with different forms and genres while providing inspiration for publishable projects and imparting useful writing techniques that make your writing more robust.
This exercise is from “Chapter 8: Free Verse.” It’s titled “Cut-and-Paste Poetry.” Enjoy! Read More
Fiction writing exercises can help you discover storytelling techniques and provide ideas and inspiration for your fiction writing projects.
These exercises provide practice and experience for young or new writers. For more experienced writers, these exercises offer inspiration and can help you see a story from a fresh perspective.
Today’s fiction writing exercises are carefully chosen to help you develop some of the most critical components in a story. If you can create a few characters; identify a conflict, climax, and resolution; and choose a theme, you’re well on your way to writing a short story or novel that will resonate with readers. Read More
Today’s post comes from my book 101 Creative Writing Exercises. This is from “Chapter 5: Fiction.” Let’s take a look at symbolism in fiction.
Symbols and Symbolism
In Alice and Wonderland, a white rabbit appears, and Alice follows him down the rabbit hole that leads to Wonderland. The white rabbit is a herald — a character archetype that signifies the first challenge or the call to adventure. This is the change in the main character’s life that marks the beginning of the story. Read More
If you’re going to exercise, it’s a good idea to warm up first. That way, you’ll get your body geared up to do the heavy lifting, the hard running, and the strenuous workout.
Writing’s no different.
Poetry writing exercises are ideal when you’re feeling uninspired or lazy, or maybe your poetry is getting stale and you need to take it in a fresh direction. Perhaps you’re getting ready to embark on a big, long writing project and want to warm up first.
Today’s poetry writing exercises are good starters and don’t require you to know anything about poetry or have any experience writing poems. In fact some of these exercises don’t require any poetry writing whatsoever.
Poetry Writing Exercises
These poetry writing exercises are designed to get you thinking about rhythm, language, and imagery in your writing. Let’s jump right in!
1. Alliteration and Assonance Lists
Create a list of word pairs and phrases that are built around alliteration or assonance. Remember, alliteration is when words in close proximity start with (or contain) the same consonant sound (as in pretty picture). Assonance is when words in close proximity echo vowel sounds (bent pen). Try to come up with at least ten of each. The more, the better.
Bonus exercise: Use the words from your lists to write a poem.
2. Metaphors and Similes for Life
Make a list of significant life events: birth, death, graduation, marriage, having children, starting your own business. Next, come up with one metaphor and one simile for each of these events. Remember, a metaphor is when we say one thing is another thing. A simile is when we say one thing is like another thing.
Metaphor: Life is a dance.
Simile: Life is like a box of chocolates (as a metaphor, this would be life is a box of chocolates).
Tip: Choose metaphors that are visually interesting. Metaphors for life as a dance or similes stating that life is like a box of chocolates are both easy for readers to visualize.
Bonus exercise: Write a poem about one of your life events using only the metaphor or simile you have chosen. When it’s done, your poem should be a bit ambiguous; a reader will wonder whether the poem is literally about the metaphor or metaphorically about the life event.
3. Lyrics and Musicality
Choose a catchy song that you enjoy and rewrite the lyrics, but stick to the rhythm and meter. Try to go way off topic from what the original lyrics were about. You can play the song while you work on the exercise or search for the lyrics online and use those as your baseline. The idea is to get your mind on the musicality in your writing.
Have Fun with These Poetry Writing Exercises!
These poetry writing exercises are meant to be helpful and fun. If you tried any of these exercises, feel free to share your thoughts in the comments. Did you learn anything? Did you end up writing a poem?
Do you have any poetry writing exercises to share? Leave a comment!
Are you looking for more writing exercises? Pick up a copy of 101 Creative Writing Exercises, available in paperback and ebook.
Setting is one of the most important elements in fiction writing. If your readers don’t know where the story is taking place, they’ll get lost and confused, and it will be hard for them to enjoy your tale.
Some stories have simple settings based on real places. You can use your hometown or a major city. A setting can also be completely dreamed up, which is often necessary in speculative fiction writing (Wonderland and Never Land, for example). You can keep a setting in the background, referring to it only when necessary, or you can bring it to the forefront and allow it to function as a character in your story.
Some authors go to great lengths to take the reader through a story’s setting. Just last year, I read a book in which the character drove around Los Angeles. The author took us down L.A. streets, past parks, and into real neighborhoods and establishments. It was a bit much, but I’m pretty sure if I were a resident of L.A., I would have gotten a little thrill out of the familiarity.
Today, we’ll take a deeper look at setting with a few fiction writing exercises designed to help you establish the settings in your story.
Fiction Writing Exercises: Place and Time
There are two sides to setting: place and time. If you’re writing a contemporary novel, the time in which your story is set is relatively straightforward. However, if you’re writing historical fiction, futuristic fiction, or a story that includes time travel, you’ll need to make sure readers always know what time it is.
Setting it Up
For this exercise, you will choose several settings and write short, opening descriptions that tell the reader when and where the action is taking place. Contemporary readers aren’t crazy about lengthy descriptions, so keep it simple: a couple of sentences or a short paragraph of description will suffice. Here are a few prompts to help you get started:
- A ghost town in the wild old west.
- A contemporary metropolis.
- A medieval household.
- A made-up fantasy land.
- Aboard a vessel, such as a spaceship, in the far-off future.
Setting as Backdrop: Too Much vs. Not Enough
For this exercise, you’ll write a short scene that kicks off the story and establishes the setting. Instead of presenting a snapshot of the landscape before moving into your story, you can bring readers right into the setting by combining the setting’s description with action and by using active language rather than passive:
- Instead of describing busy streets packed with shoppers, show readers that shoppers coursed through the streets like rats in a maze.
- You can bring characters into the setting: Kate craned her neck and spied a tiny patch of sky amidst the towering skyscrapers.
- In establishing time, you can simply state the date (the year was 2012) or you can place something in the setting that identifies the era: A brand new 2012 Porche sped by and Kate whirled on her heels just in time to see it disappear around the corner of Lexington.
Setting as Character
Places that have a life of their own are hugely popular. Many science fiction and fantasy stories are set in places that function as characters: the U.S.S. Enterprise from Star Trek and Pandora from Avatar are two good examples. But cities, towns, and rural landscapes can also have personality. For example, New York has been called the fifth main character in Sex and the City. Houses, vehicles, cities, planets, nations, and rooms can all have personalities of their own.
For this exercise, write a character sketch for a place. Make a list of its traits: personality, style, attitude, class, and philosophy. Is it relaxed and laid back or dark and dangerous? Does it swallow people or lift them up? Is it friendly to newcomers or is it exclusive?
If you’re inclined, go ahead and write a scene or outline to show off your setting’s personality. Remember: just because the setting is functioning as a character doesn’t mean it’s the protagonist or antagonist. It can be a minor character and still largely function as the story’s backdrop (rather than forefront). Make sure you keep the focus of the story on the plot and characters.
How Do You Approach Setting?
Some writers don’t think much about setting. They know exactly where their story takes place, and the setting emerges naturally through the writing. But sometimes, a poorly established setting is unclear or confusing. Do you pay heed to setting? Do you work it out before you start your first draft? If you know of any other great fiction writing exercises that focus on setting, be sure to share them in the comments. And keep writing!
Are you looking for more fiction writing exercises? Pick up a copy of 101 Creative Writing Exercises, available in paperback and ebook.