The Poetry of William Shakespeare (Conclusion)

poets shakespeareThis is the final installment in the Shakespeare poetry series, following up on the introduction and the article on Shakespeare’s sonnets. Today, we’ll talk about “A Lover’s Complaint,” which was originally published with Shakespeare’s sonnets (do note, however, that “A Lover’s Complaint” itself is not a sonnet).We’ll also examine one of Shakespeare’s other major poetic works.

A Lover’s Complaint

Shakespeare started writing “A Lover’s Complaint” in 1602 and completed it in 1608. As mentioned, it was first published with his sonnet collection, appearing at the end of the manuscript.

“A Lover’s Complaint” is considered a complaint poem. According to The Norton Shakespeare, it’s a poem in which “a woman laments her (usually) sexual ruin amid generally doleful reflections on life.” The poem is written in rhyme royal (stanzas of seven lines each with the rhyme pattern ababbcc). Some of the preceding sonnets — the ones that deal with the affair between the young male and the narrator’s mistress — lead up to “A Lover’s Complaint.”


In the poem, the narrator overhears a woman confessing to an old man that she was seduced and then abandoned by a young man whom she describes in great detail. Excluding the old man in the poem, all other characters (narrator, young man, and the woman herself) resemble the figures from the sonnets. However, there are significant differences in the narration. For example, in the sonnets, both the young male and the woman voice their thoughts in first person whereas “A Lover’s Complaint” only gives voice to the woman.

Read the full text of “A Lover’s Complaint” online.

Venus and Adonis

Of Shakespeare’s other major work in poetry, there is one poem that I’d like to discuss in greater detail.

“Venus and Adonis” is one of Shakespeare’s most important works. It’s quoted more often than any other play or poem by Shakespeare, and it has enjoyed great popularity, warranting nine editions during Shakespeare’s own lifetime. The story of Venus and Adonis comes from Ovid’s Metamorphoses tale about the goddess of love, Venus, and the object of her affection, the god of rebirth and fertility, Adonis, who is human in Shakespeare’s poem.

Due in part to the popularity of Shakespeare’s “Venus and Adonis,” erotic, narrative poems of this sort became popular during the late sixteenth century, with many poets sourcing classical mythology for plot and applying Medieval and Renaissance treatments.

The poem itself explores themes that center mostly around sexual gratification and gender identity. Traditionally, we see male characters as seducers, but in “Venus and Adonis,” the female character is wooing a young male and he is rejecting her overtures. In this sense, the poem supplies much comedy and would have been even more humorous in Shakespeare’s time when male and female roles were more extremely defined. Nowadays, a seductress is less uncommon.

The poem is long and written in that Shakespearean language that can be challenging for modern English speakers to navigate — but it’s a worthwhile read. My personal recommendation is to read it aloud so you can better catch the rhymes and feel the rhythm. You’ll find that “Venus and Adonis” is funny, sexy, and sad without being cheesy. This is probably Shakespeare’s best poem, and it is a piece of literature every writer should experience at least once.

My favorite excerpt from “Venus and Adonis” is near the end of the poem. Venus has found Adonis dead, killed by a boar, and she prophesies a new vision of love for humankind — or — as the goddess of love, has she, in her despair, penalized us all?

‘Since thou art dead, lo, here I prophesy:
Sorrow on love hereafter shall attend:
It shall be waited on with jealousy,
Find sweet beginning, but unsavoury end,
Ne’er settled equally, but high or low,
That all love’s pleasure shall not match his woe.

‘It shall be fickle, false and full of fraud,
Bud and be blasted in a breathing-while;
The bottom poison, and the top o’erstraw’d
With sweets that shall the truest sight beguile:
The strongest body shall it make most weak,
Strike the wise dumb and teach the fool to speak.

‘It shall be sparing and too full of riot,
Teaching decrepit age to tread the measures;
The staring ruffian shall it keep in quiet,
Pluck down the rich, enrich the poor with treasures;
It shall be raging-mad and silly-mild,
Make the young old, the old become a child.

‘It shall suspect where is no cause of fear;
It shall not fear where it should most mistrust;
It shall be merciful and too severe,
And most deceiving when it seems most just;
Perverse it shall be where it shows most toward,
Put fear to valour, courage to the coward.

‘It shall be cause of war and dire events,
And set dissension ‘twixt the son and sire;
Subject and servile to all discontents,
As dry combustious matter is to fire:
Sith in his prime Death doth my love destroy,
They that love best their loves shall not enjoy.’

You can read the full text of “Venus and Adonis” online here.

Other Poems by Shakespeare

In addition to the sonnets and “A Lover’s Complaint,” Shakespeare is credited with a few other poems, which you can read online here.

norton shakespeare

Sources for this Article: Wikipedia, The Norton Shakespeare.

Do you read poetry? Have you studied Shakespeare? What’s your favorite Shakespearean poem? Is it important for modern poets to learn about the great writers of the past and to look at their work with a studious eye? How do Shakespeare’s poems resonate with you? Share your thoughts by leaving a comment. Questions are welcome too!

Comments

15 Responses to “The Poetry of William Shakespeare (Conclusion)”
  1. deb says:

    This has been an excellent series. My time is short today so I’ll have to more thoroughly digest it at another reading.
    deb´s last blog ..Thanksgiving 2009 My ComLuv Profile

  2. J.D. Meier says:

    The next time I get bad service I would love to be able to whip out a complaint poem :)

    I wondered where the erotic part was, but then I read the rest of the poem … lots of kisses going on.

    Good job setting the stage and giving a lead in for what to expect, and a nice finale for your Shakespeare poetry series.
    J.D. Meier´s last blog ..What 16 Movies Can Teach Us About Life and Leadership My ComLuv Profile

    • Thanks J.D. At a recent family gathering, one of the kids was saying that “Shakespeare is lame.” Oh, can you imagine! But then I remembered feeling much the same way when I was about thirteen years old. In today’s world, it’s definitely an acquired taste.

  3. Rob Graber says:

    Greetings, Melissa! I enjoyed this, and the whole series. My favorite poem by Shakespeare, I think, is sonnet 29 (“When in disgrace with fortune and men’s eyes”); the wittiest, I think, is 130 (“My mistress’ eyes are nothing like the sun”).
    Rob Graber´s last blog ..To Reach the Very Top! (Plutonic Sonnets 63) My ComLuv Profile

  4. Rob Graber says:

    Greetings, Melissa! This is just to wish you a splendid Solstice Season and a great new year!

    Now to My Winter (Plutonic Sonnets 88)

    Now to my winter comes a discontent,
    When many whom I love are of a mind
    To mark the birth of one they think was sent
    To die, though sinless, for their sinful kind.
    Their god of love demanded blood, you see;
    The blood of his own son, whose life, in “fact,”
    Was blameless. Their god does not seem to be
    A being with whom I can make contact.
    But as our planet courses ’round the Sun,
    There comes a moment when, the moment passed,
    Well blesses them, and me, and everyone
    Whom Earth above her equator holds fast.
    “Let there be light,” we need no god to say;
    We shall have less of night, and more of day!
    Rob Graber´s last blog ..Some Elements (Plutonic Sonnets 72) My ComLuv Profile

  5. Rob Graber says:

    Greetings, Melissa! Hope 2010 is off to a good start for you. Herewith offering another specimen from my Shakespearean (“Surrian”) long sonnet cycle, Plutonic Sonnets, I remain

    Yours very truly,

    Rob

    How many planets should we say there are?
    For sev’ral decades we’d been saying nine,
    ’Til progress finally had brought us far
    Enough to see we needed a new line.
    Now, for eleven there’s a case, I know;
    But this includes three “dwarves,” and experts say
    Their number (not their size) is like to grow;
    We’d like a number stable, come what may.
    So let our count leave them out of account,
    And stand at eight! And if the time should come
    When this too is eroded by the fount
    Of knowledge, let theirs be a better sum,
    As definitions evolve to enable
    Distinguishing the stable from unstable.
    Rob Graber´s last blog ..How Many Planets? (Plutonic Sonnets 76) My ComLuv Profile

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Melissa Donovan

Who's Flying This Ship?


My name is Melissa Donovan. I'm a self-employed website copywriter and web content specialist.

Creative writing is one of my passions. I earned a BA in English with a concentration in creative writing, and I've been a voracious reader for as long as I can remember. I write fiction, poetry, and creative nonfiction. And of course, I blog.

My goal is to promote great writing, help writers stay inspired and motivated, and to act as an advocate for writers.