3 Fiction Writing Exercises
Fiction writing exercises can help you discover storytelling techniques and provide ideas and inspiration for your fiction writing projects.
For writers who are young or just starting out with fiction, these exercises provide practice and experience. For more experienced writers, these exercises offer inspiration and can help you see a story from new angles.
Today’s fiction writing exercises are carefully chosen to help you develop some of the most critical components in a story. If you can create a few characters; identify a conflict, climax, and resolution; and choose a theme, you’re well on your way to writing a short story or novel that will resonate with readers.
These exercises are similar to assignments you would complete in a college-level fiction writing class, exercises that push you in the direction of writing material that can be submitted or published. You can tackle these exercises separately but I recommend using them to develop ideas around a single story.
1. Character Exercise: Sketching a Protagonist and an Antagonist
We often think of them as the bad guy and the good guy or the hero and the villain, but those terms are becoming outdated as modern storytelling increasingly embraces protagonists who are highly flawed and antagonists who aren’t especially evil.
The Exercise: Sketch two characters who are in conflict with each other.
Do not identify a protagonist or antagonist, just create two characters. Both characters should have the potential to be good or evil. Start with physical descriptions, then get inside the characters’ heads to establish their inner landscapes, and finally, work up a bit of backstory for each of them. Remember, these two characters have a fundamental conflict with each other. What is it? The core of this exercise is identifying that conflict.
If you’ve never done a character sketch or have trouble coming up with details for your character, check out this character development worksheet.
2. Plot Exercise: Conflict, Climax, and Resolution
The three-act structure is one of the simplest and most effective way to break down a story. Often, the acts are 1) Setup, 2) Confrontation, and 3) Resolution. I think of the three-act structure as 1) Conflict, 2) Climax, and 3) Resolution because those are the three pinnacles in each of the three acts. In the first part of a story we learn what the conflict is. The second (and largest portion) of the story builds up to a climax in which the conflict hits boiling point. Finally, the third act resolves the conflict.
The Exercise: Determine a conflict, climax, and resolution for a story.
You can use the two characters you created in the first exercise for this.
Conflict examples: Two people vying for the same job, a natural disaster, people-eating aliens landing on Earth.
Climax examples: In a big showdown, one job candidate smears the other and knocks the opponent out of the race. A natural disaster claims the lives of half of Earth’s population. Humans engage in a final battle with the people-eating aliens!
Resolution examples: The job candidate who got smeared makes a comeback and gets the job. Earth’s survivors rebuild after a planet-wide natural disaster. Against all odds, humans win the battle against aliens with superior technology.
3. Theme Exercise: Universal Ideas
Theme is difficult to explain, but Wikipedia does a good job:
A theme is a broad idea, message, or moral of a story. The message may be about life, society, or human nature. Themes often explore timeless and universal ideas and are almost always implied rather than stated explicitly. Along with plot, character, setting, and style, theme is considered one of the fundamental components of fiction.
I usually think of theme as the big questions that a story asks or its underlying philosophy.
The exercise: Choose a theme and write a list of ways in which a theme can be executed through the course of a story.
You can choose a theme for the characters you sketched in the first exercise or for the three-act structure you developed in the second exercise. For example, in a story where two characters are vying for the same job, the theme might be dream fulfillment (if it’s one or both of the characters’ dream job).
As an alternative, try to identify themes in other stories. Think about your favorite books, movies, and TV shows and make lists of some themes you’ve found in storytelling.
Fiction Writing Exercises
Do you think about character, plot, and theme when you’re working on a story? Do you plan these elements in advance or let them unfold through discovery writing? Who are some of your favorite characters? Can you think of a truly original plot in modern storytelling? What themes in fiction appeal to you the most? And finally, do you use fiction writing exercises and if you do, how have they helped you improve your writing?
42 Fiction Writing Tips for Novelists
The more I explore fiction writing, the more complex and multi-layered it becomes. Through the processes of brainstorming, outlining, researching, writing, and revising, I have discovered countless details that authors have to consider as they set out to produce a viable work of fiction.
Over the years, I have collected a vast pile of notes and ideas concerning fiction writing. As I was going through these notes, I figured they could be compiled into a master list of writing tips that might help writers tackle a novel by giving them different perspectives and by providing fodder for the creative process.
These fiction writing tips come from countless sources. Some were picked up back in my college days. Others came from books about writing. Many came from interviews with successful authors that I have read, watched, or listened to. And a few came from my own personal experiences as both a reader and writer.
Writing a novel is an ambitious endeavor, never mind the grueling process of landing an agent or trying to get your book published. Hopefully, the writing tips below will help make the first part of your momentous task a little easier.
Writing Tips
The writing tips below focus on the technical and creative writing process rather than the business end of things. You can take a few of these writing tips or take them all. And add your own fiction writing tips by leaving a comment.
- Read more fiction than you write.
- Don’t lock yourself into one genre (in reading or writing). Even if you have a favorite genre, step outside of it once in awhile so you don’t get too weighed down by trying to fit your work into a particular category.
- Dissect stories you love from books, film, and television to find out what works in storytelling and what doesn’t.
- Remember the credence of all writers: butt in chair, hands on keyboard.
- Don’t write for the market. Tell the story that’s in your heart.
- You can make an outline before, during, or after you finish your rough draft. An outline is not necessary, nor is it written in stone, but it can provide you with a roadmap, and that is a mighty powerful tool to have at your disposal.
- You don’t always need an outline. Give discovery writing a try.
- Some of the best fiction comes from real life. Jot down stories that interest you whether you hear them from a friend or read them in a news article.
- Real life is also a great source of inspiration for characters. Look around at your friends, family, and coworkers. Magnify the strongest aspects of their personalities and you’re on your way to crafting a cast of believable characters.
- Make your characters real through details. A girl who bites her nails or a guy with a limp will be far more memorable than characters who are presented in lengthy head-to-toe physical descriptions.
- The most realistic and relatable characters are flawed. Find something good about your villain and something dark in your hero’s past.
- Avoid telling readers too much about the characters. Instead, show the characters’ personalities through their actions and interactions.
- Give your characters difficult obstacles to overcome. Make them suffer. That way, when they triumph, it will be even more rewarding.
- Explore the human condition.
- Make sure you understand the three act structure. Every story needs a beginning, a middle, and an end.
- Memorize the Hero’s Journey. Use it.
- Cultivate a distinct voice. Your narrator should not sound warm and friendly in the first few chapters and then objective and aloof in later chapters. The voice should be consistent and it should have a tone that complements the content of your book.
- Give careful consideration to the narrative. Is the story best told in first person or third person? If you’re not sure, write a few pages in each narrative style to see what works best.
- Is your story moving too fast for readers or are they yawning through every paragraph? Are the love scenes too short? Are the fight scenes too long? Do you go into three pages of detail as your characters walk from point A to point B and then fly through an action sequence in a couple of short paragraphs? Pay attention to pacing!
- Infuse your story with rich themes to give it a humanistic quality. Examples of themes include sacrifice, redemption, rebirth, life and death, faith, destiny, etc. These are the big shadows that hover over your story.
- Use symbols and imagery to create continuity throughout your story. Think about how the White Rabbit kept popping up when Alice was adventuring in Wonderland or how the color red was used in the film American Beauty. These are subtle details but they give your story great power.
- Every great story includes transformation. The characters change, the world changes, and hopefully, the reader will change too.
- Aim for a story that is both surprising and satisfying. The only thing worse than reading a novel and feeling like you know exactly what’s going to happen is reading a novel and feeling unfulfilled at the end — like what happened wasn’t what was supposed to happen. Your readers invest themselves in your story. They deserve an emotional and intellectual payoff.
- Focus on building tension, then give it a snap.
- Enrich your main plot with subplots. In real life, there’s a lot happening at once. While the characters are all trying to get rescued from the aliens, romances are brewing, traitors are stewing, and friendships are forged.
- There is a difference between a sub-plot and a tangent. Don’t go off on too many tangents. It’s okay to explore various branches of your story when you’re working through the first or second draft, but eventually, you have to pare it down to its core.
- If you write in a genre, don’t be afraid to blur the lines. A drama can have funny moments and a thriller can have a bit of romance.
- Make sure your setting is vivid and realistic even if you made it up.
- If you didn’t make up your setting, then do your best to get to the location and see it for yourself before you finish your manuscript. If that’s not possible, get busy researching.
- Don’t underestimate your readers. Assume they are as smart (or smarter) than you are.
- Give the readers room to think. You don’t have to tell your story in minute detail, including each minute of the plot’s timeline or all of the characters’ thoughts. Provide enough dots, and trust that the reader will have fun connecting them.
- Let the readers use their imaginations. Provide a few choice details and let the readers fill in the rest of the canvas with their own colors.
- Don’t focus exclusively on storytelling at the expense of crafting compelling language.
- Appeal to readers’ senses. Use descriptive words that engage the readers’ senses of taste, touch, and smell.
- Apply poetry techniques to breathe life into your prose. Use alliteration, onomatopoeia, metaphor, and other literary devices to make your sentences sing and dance.
- When rewriting, check for the following: plot holes, character inconsistencies, missing scenes, extraneous scenes, accuracy in research, and of course, grammar, spelling, and punctuation.
- As you revise, ask yourself whether every paragraph, sentence, and word is essential to your story. If it’s not, you know where the delete button is.
- Proofread carefully for grammar, spelling, and punctuation. The fewer typos in your final draft, the better.
- Before your final revisions and before you send your manuscript out to any agents or editors, find your beta readers: join a writing group, take a fiction workshop, or hire a pro.
- Do not send out your rough draft. Go through the rewriting process at least three times before handing it out to your beta readers. The stronger it is when you bring in editors, the stronger those editors will be able to make it.
- Collect and use these and other writing tips in a file or in your notebook. When something about your story doesn’t feel quite right or if you sense there’s something missing, your notes and other resources might provide you with a solution.
- Have fun. If you’re not enjoying writing, then maybe it’s not for you. If you’re not enjoying fiction writing, try something else like poetry, blogging, or screenwriting. Be open and you’ll find your way.
Did you find these writing tips helpful? Got any tips to add? Leave a comment!
Character-Driven Creative Writing Prompts
Most authors agree that fiction is primarily driven by characters. Successful authors talk about characters who take over the story, who have their own separate and independent consciousness. Outlines and plans for plot go out the window as characters insist on moving the story in a direction of their own design.
Because characters are central to most stories and because their primary function is to explore the human condition, it’s essential for characters to be believable. In other words, characters may not be real, but they most certainly should feel real.
It’s not easy to write believable and realistic characters. People (and therefore characters) are highly complex and layered, full of contradictions and flaws. Because writing imposes space-time limitations, we can never craft a character that is as complicated as a real person, but we can certainly try.
Today’s creative writing prompts encourage you to explore the characters in your writing. By working outside of your project on a series of exercises that force you to explore and engage with your characters, you will get to know them better. You’ll also get to use techniques for creating characters that have depth and dimension.
Creative Writing Prompts
These creative writing prompts are broken into various categories. You can mix and match the prompts according to which ones are most attractive to you or choose the ones that you think will help you resolve character problems that you’re struggling with.
Feel free to let these character-related writing prompts inspire new prompts — in other words, you don’t have to write exactly what the prompt says. One set of prompts deals with character fears and flaws. These might inspire you to write about your character’s strengths and virtues.
Be creative, have fun, and keep on writing!
Background and Family
- Unearth your character’s roots. What is the character’s ancestry or cultural background? How does ancestry shape your character? Is the character at odds with family traditions?
- Write a series of short paragraphical biographies of each of the character’s closest family members: spouse, children, parents, grandparents, siblings, etc.
- Write a monologue in which your character summarizes his or her life story; be sure to write it in the character’s voice.
Motivations and Goals
- What motivates your character? Money? Love? Truth? Power? Justice?
- What does your character want more than anything else in the world? What is he or she searching for?
- What other characters or events are interfering with your character’s goals? What obstacles are in the way?
Flaws and Fears
- What is your character’s single greatest fear? How did your character acquire his or her fears?
- What are your character’s flaws and weaknesses?
- How does the character’s fears and flaws prevent them from reaching their goals?
Appearance
- What does your character look like? Make a list and include the following: hair, eyes, height, weight, build, etc.
- Now choose one aspect of the character’s appearance, a detail (bitten nails, frizzy hair, a scar) and elaborate on it.
- Write a short scene in which your character is looking in the mirror or write a short scene in which another character first sees your character.
Personality
- How does your character feel on the inside? What kind of person is your character and what does the character’s internal landscape look like?
- We don’t always present ourselves to others in a way that accurately reflects how we feel inside. We might be shy or insecure but come across as stuck-up and aloof. How do others perceive your character?
- Write a scene with dialogue that reveals your character’s external and internal personalities. Good settings for this dialogue would be an interview, appointment with a therapist, or a conversation with a romantic interest or close friend. Write the scene in third-person omniscient so you can get inside your character’s head as well as the other character’s head; this will allow you explore how your character feels and how he or she is perceived.
If you try any of these creative writing prompts, come back and tell us how they worked for you. What did you write? Did you learn anything new about your character or how to write about your character? Share your thoughts by leaving a comment.
10 Tips to Improve Your Fiction Writing Skills
This post was contributed by Kelly Kilpatrick, who writes on the subject of distance learning universities. She invites your feedback at kellykilpatrick24 at gmail dot com.
Writing fiction, whether short or long, can be a very trying experience indeed. So many writers of fiction have different processes for achieving their writing goals that it’s hard to sift through what works and what doesn’t.
Writing is a process that requires skill, determination, adaptability, and plenty of time. Here are some suggestions for improving your fiction writing skills, gleaned from trial and error over time.
- Start With a Seed
Some great fiction books are simply a product of asking the question, “What if…?” Starting a new work of fiction requires just a small seed to get you going. Beginning without too much baggage can really help get the ball rolling.
- Let the Story Tell Itself
Think of yourself as a medium, or a vehicle, for a story that wants to be told. You may have some idea about where things are going, but don’t create too many constraints for yourself. The story will unfold if you are ready to work hard on keeping up with what it has to say.
- Use Realistic Characters and Dialogue
This is accomplished through many different approaches. As a writer, you must learn to hone your powers of observation and watch people and how they interact. Research can come in a variety of forms, from reading other authors to watching movies as well. Keen observation skills and personal experience will help guide you through this aspect of fiction writing.
- Write What You Know
This is a well-known mantra for fiction writers, yet many fail to adhere to this simple principle of fiction writing. When you write about things you know and experiences you’ve had, the writing is easier to read and comes across as more authentic.
- Close the Door
When you’re ready to get down to business, find a place where you can go to tune the rest of the world out. If you are planning on writing a long work of fiction, you will essentially be “living in the story.” Be prepared to shut yourself in as you work on bringing your tale to life.
- Keep Pushing Forward
Don’t get caught up in the past; keep writing each day without taking time to go back and reread. The time for reading what you have written will come, and that’s when you can fix any inconsistencies. Keep writing and worry about the minute details during the revision process. Dedicating specific amounts of time regularly will help you to get the project finished sooner rather than later.
- Put it Away When You’re Finished
When you feel your story has come to a close, put it away. Get it out of your sight and try your best not to revisit the work while the story is fresh in your mind. Putting some distance between writing and editing will do you and your story some good.
- Start a New Project
Get started right away on something new to increase the distance between you and your previous work. This will help you to come back with a new perspective and keep your productivity level high in the process.
- Return to Your Finished Product
After some time has passed, pull out your manuscript and read the piece with a pair of fresh eyes. Chances are you will find ways to improve upon and revise the story to make it flow more smoothly.
- Revise and Edit
Cuts will have to be made and the revision process can be time consuming, but will help out when you’re ready to share your work with another reader for their opinion. Make sure that you polish your work as much as possible before giving it out to others for their opinions. Eliminating clutter and proofreading errors will help to get honest feedback without trivial details getting in the way.
If you have any fiction writing tips to share, feel free to post them in the comments or send them in as a guest post.
Top Secret Fiction Writing Exercises
“Ssh, don’t tell anyone. Put it in the vault!”
Most of us have had those very words whispered into our ear. In fact, most of us have probably whispered those words into someone else’s ear.
They say everyone has a secret. I don’t know if that’s true, but I do know that secrets sure pique people’s curiosity.
And if you can capture a reader’s curiosity, you’ll have them hooked.
That’s the essence of today’s fiction writing exercises.
The Power of Secrets
Don’t your ears perk up just a little bit when you hear the word secret? And don’t you just get all quiet and attentive when someone says, “I have a secret to tell you?” Secrets are powerful. They imply mystery and drama, they evoke suspense and build tension, and they capture people’s attention. Most importantly, they keep readers turning the pages.
Characters with Secrets
Secrets can be integral to a plot, but usually the secrets belong exclusively to the characters. In fact, sometimes a secret will shape a character’s personality. How would keeping a secret for decades impact a person’s behavior? What kind of secret would weigh on someone’s conscience? How do the other characters view someone who can’t keep a secret?
There are big secrets and little secrets, important ones and silly ones. Some secrets are cliché (she had a baby and gave it up for adoption!) and others are funny (one time, at band camp…).
The best secrets are surprising. I’m not talking about the sitcom variety of the overheard misunderstanding, where one character overhears another and gets the wrong idea. Think about the secrets in books like The Da Vinci Code or in films like The Usual Suspects — secrets that make you drop your jaw or think about the world in new ways.
Then, try to come up with some interesting secrets for your fiction. You can use the fiction writing exercises below to write a scene, a whole story, or maybe you’ll just come up with some really great character traits or plot twists.
Here are ten fiction writing exercises built entirely around secrecy:
Ten Secret Fiction Writing Exercises
- A character is harboring a secret that is preventing him from fulfilling his true desire.
- Two characters share a secret but it’s not what everyone thinks it is.
- It’s an old family secret and there’s only one person alive who knows about it. Will she take it to the grave?
- There’s a secret and everyone knows about it except one particular character and it happens to affect that character the most.
- There is a small group of people who meet in secret at regular intervals.
- A character has a secret and if anyone found out, it would destroy his life.
- One character discovers another character’s shocking, sad, or terrible secret.
- A character thinks she has a very private secret, but actually, most of the people close to her know about it.
- A character knows a secret that would destroy one person’s life but save the life of another person.
- There is a secret that would affect everyone on the planet but only a small, elite group of characters know the secret.
Secret Tips
Writing secrets into your story can make it a lot more exciting, and you can conjure up secrets whenever a character seems flat or the plot is thinning out. But you have to be careful with secrets. Here are a few final secret tips:
- Avoid common or stereotypical secrets unless you can give them a really intriguing twist. Examples: sordid affairs, the family member you never knew you had, the person who went to prison didn’t commit the crime, etc.
- Usually, the audience gets in on the secret before the key character does, but don’t let it out too early. If you can, reveal the secret over time and make it a guessing game for the reader to figure out.
- If you build a lot of tension, you better have a secret that delivers. There’s nothing worse than a lot of big build-up for something like “I’m the one who broke your favorite snow globe in second grade.” Try to come up with a real doozie.
Tell Me Your Secrets
If you have any secrets (real or made up), feel free to leave them in the comments. Or, if you want to have some fun, post a secret from a novel or a film that you thought was especially clever.
Have fun with these exercises (how could you not?), have a wonderful weekend, and keep on writing!
If you have any fiction writing exercises to share, feel free to post them in the comments or send them in as a guest post.
Fiction Writing Exercises: A Story for a Song
Art Begets Art
A compelling story speaks to us much the same way that music does, communicating thoughts, feelings, and ideas in ways that go beyond concrete language.
The result?
A click takes place within the psyche. When you hear a song or read a story that resonates in this manner, you connect with it on a deep level. It almost feels like the author or songwriter was speaking for you, about you, or to you.
Some say that truly great art communicates directly with the subconscious. That’s why the arts coexist so naturally. Where you find a buzzing music scene, you can be sure a booming literary crowd is nearby. And where filmmakers toil with scripts and cameras, you can bet dancers aren’t too far off.
Creativity breeds creativity and we are like magnets, drawn not just into our own passion, but those that complement and support it. Music, film, and art all enrich and inform one another. So do the musicians, filmmakers, artists, and of course, writers.
Fiction Writing Exercises
Some people say that everything has been written, every story told. But that’s not true. There’s always another angle, a different perspective that can be taken. And writers have all the tools they need to grab that perspective and run with it. You just need a starting point and fiction writing exercises can help you find it.
Try starting with a song.
Some of the greatest stories of all time have been told through song. Remember Janis Joplin’s “Me and Bobby McGee?” John Mellencamp’s “Jack and Diane?” What about Bob Marley’s “I Shot the Sheriff?” Each of these songs tells a clear and distinct story.
On the flip side, we have ambiguous lyrics, like “Hotel California,” by the Eagles or “Losing My Religion” by R.E.M. Tunes like these have inspired lively debates that ask, what are these songs about, anyway? And if we don’t know what the songs are about, why do they succeed at speaking to us? How do they become enormous hits that cross genre lines?
Story for a Song
For one of our fiction writing exercises, let’s double up on creativity and take advantage of hindsight. Choose a song and write the story behind it. This is kind of like traveling backward and trying to find those one thousand words that represent the value of a picture.
Some tips to make this more interesting:
- Choose a song that doesn’t have an overly obvious storyline.
- Make sure you aren’t familiar with the song’s video and that you don’t rewrite the video treatment.
- Pick a song you like, something you can tolerate listening to several times over. In fact the more you enjoy the song, the greater the chance you’ll have fun with this experiment.
Storytelling
Throughout history, great artists have collaborated and mixed mediums and media to come up with fresh takes on ancient truths. This writing exercise provides a new source for inspiration, gets you working in collaboration with other artists (musicians), and gives you creative license to put a new spin on something that’s been around for awhile.
And if you can do this with a piece of classical music (with no lyrics), I for one, will be doubly impressed!
You can write a paragraph, a few pages, or an entire novel. Write it as a piece of journalism or a script. And if you don’t feel like writing it down, just work it out in your head. Find the connection between music and storytelling and let it capture your imagination.
And have a great weekend! Keep on writing!
If you have any fiction writing exercises to share, feel free to post them in the comments or send them in as a guest post.
Getting Into Character: Fiction Writing Exercises
Writers are not actors, but sometimes we need to get into character.
To truly understand the nature of a character, a writer must step into that character’s shoes. All the character sketches and descriptions that you develop will be two dimensional until you can get into your character’s head and understand what makes him tick.
This is not an easy thing to do. Your first impulse might be to act like a puppet master, pulling your character’s strings and controlling his actions. But what you really need to do is scoot over and get in the passenger’s seat. Let your character do the driving and ride along as an observer. And that’s exactly what these fiction writing exercises can help you do.
Tips for Getting Into Character
Many artists and creative people talk about entering “the zone.” This is a state of mind in which you’re running on automatic pilot. Your right (creative) brain is fully engaged and your left (logical) brain is snoozing with one eye open. It is in this state that people often get lost in an activity, lose track of time, and produce some of their best creative work.
When you’re getting into character, it’s best to be in the zone. Approach these fiction writing exercises when you’re calm and relaxed and willing to let your imagination override your logical thinking.
How do you do this? Before sitting down to tackle these exercises, try exercising. Take a walk, do some yoga, or go for a swim. You can also meditate or simply take a few minutes to lie down and relax and clear your mind of all the clutter. Listening to classical music or jazz is another effective way for getting into the zone. Once your mind is calmed, you’ll be ready to get into character and try the fiction writing exercises below.
Fiction Writing Exercises for Getting Into Character
Exercise #1: Chat
Launch your word processing software and start up a conversation with your character. Most of us have engaged in online chat or instant messaging. This is the same idea. If chat is not a comfortable medium for you, then try composing emails back and forth between you and your character.
Before you start, you might want to come up with a list of questions to ask your character. Also, this is a great exercise to use when you get stuck in a story that doesn’t want to move forward. Simply chat with your character to try and find out what’s holding him back from taking the next step.
Your chat might look something like this:
ME: So, you’re hearing voices in your head and you’re not sure whether you’ve gone crazy or are telepathic.
CHARACTER: Obviously, I’m telepathic. Don’t tell me you don’t believe in telepathy. I know you do.
ME: How could you possibly know something like that?
CHARACTER: Because I am reading your mind right now.
Exercise #2: Stand-in Situation
Put your character in a situation and see how he handles it. If you’re already working on a story, then try removing your character from it and placing him a completely different setting. Think of riveting scenes from books you’ve read or movies that you’ve seen, or use scenes from your own life.
A few quick ideas for scenes that will reveal how your character handles a situation:
- Your character is standing on the corner trying to hail a taxi when there’s a sudden distraction. This could be an accident in the street, a beautiful man or woman walking by, or an emergency phone call from a desperate friend or family member. Does your character hop in the cab and go about his day?
- Your character’s arch-enemy is is grave peril and the only person around who can save him is your character. Does he let his enemy die or save his life?
- Your character has been grossly betrayed by a close friend or family member. Is your character able to forgive? Does he seek revenge? Will he go on with his life, simply removing the betrayer from it?
Notice that all these scenarios test the character’s integrity. This is a great way to get a handle on what kinds of choices your character makes. Keep in mind as you work through this exercise that people are not perfect and characters needn’t be either. The most interesting characters are easy to relate to, and that means they are flawed in some way.
Exercise #3: Monologue
Monologues are a great way to get inside your character’s head, especially if the story you’re writing will be in third person. This is your chance to let your character’s voice be heard.
Write a piece in first person, from your character’s perspective. Choose a general theme for the monologue and start writing in the character’s voice. Some ideas for themes:
- Character is relating a significant event from his past – loss of a loved one, major life transition, or one of those everyday moments that change everything or stay with you forever.
- Character is faced with a serious challenge or decision and is discussing his options and what the effects of either choice might be.
- Character is in the middle of an emotional crisis and is overcome by grief, rage, envy, or some other intense feelings.
In a monologue, you can include action cues, but try to write them into the dialogue. For instance, if the character starts crying, make that evident through the narrative. If you’re feeling really brave (or if you’re an actor at heart), try recording yourself reading and playing out the monologue. That will add another dimension and allow your character’s speech, intonation, and inflection to come through.
How to Use These Exercises
Once you’ve completed the exercises, you can revisit the material you’ve written to gain a better understanding of your character.
Try to pinpoint any areas where you’ve stepped in and taken over. Maybe your character said something that you normally or frequently say. Or perhaps he did something that is just – well – out of character. You can edit and revise until you feel that your piece has truly captured your character’s behavior and personality.
Later, when you’re working on your story, you can pull out these fiction writing exercises to see if there are any clues about your character that you want to use. You may also use these exercises as you’re writing a story to help you get a better grasp on your character or learn his secrets.
As always, the most important thing when working through creative writing exercises is to have fun.
And keep on writing.
If you have any fiction writing exercises to share, feel free to post them in the comments or send them in as a guest post.
Fiction Writing Exercises: How to Write a Complex Villain
When it comes to writing fiction, we each have our own unique challenges. For some of us, it’s a struggle to come up with names for our characters. For others, it’s hard to write realistic dialogue.
Maybe you’re like me, and find it difficult to write a really good villain. I mean – a really bad villain. Or even just a pretty bad nemesis.
The funny thing about our writing weaknesses is that sometimes all we have to do is identify them and suddenly we start coming up with tons of solutions.
That’s what happened to me about two years ago, when I realized that I was having trouble writing a nemesis for my main character. Time and time again, it was one of the key elements that was missing from the stories I wrote.
Once I noticed this pattern, I started seeing villains all around me – as if merely noticing their absence from my writing made them suddenly appear in my everyday life.
Villains Are Everywhere
A friend would forget to call me back and she’d become a self-absorbed boss who neglected and overworked her employees. My housemate would leave the milk out and suddenly he was a freeloading couch-surfer taking advantage of all his friends and acquaintances.
I would notice someone’s flaws and think about what they’d be like if those flaws were embellished and magnified to outweigh their good qualities and positive traits. Suddenly, my villains were born, one after another, like a little herd of evil trolls.
I make up characters in my head all the time. Sometimes I write down my ideas, drafting a character sketch. Most of them never make it to a story, but the really compelling ones do. Now that I’ve found a surefire way to harvest villains from the world around me, the characters in my head and my pages of character sketches have really started to pile up.
Fiction Writing Exercises for Creating Villains
Those of us participating in NaNoWriMo are probably hitting that point in our novels when the villains start to emerge. For anyone who wants to write good fiction, you need a character in there somewhere who creates tension and who is at odds with the forces of good. Even for poets and nonfiction writers, the ability to write a complex villain will only improve your writing and help you better understand the subjects you write about (especially if some of them are dirty rotten scoundrels).
For this week’s fiction writing exercises, pay attention to the people around you. Nobody’s perfect. Even those you love most dearly have shortcomings that you can compound to the point of villainy. Take their flaws, quirks, and moments of moral lapses and exaggerate them into a character fraught with nasty traits.
- Choose a model for your villain — an ordinary person, a celebrity, a notorious criminal from the news and examine that person’s flaws and weaknesses. How have they wronged others? Discard their positive traits, magnify their negative traits, and write a brief character sketch. What’s the character’s name? What does he or she look like? What is going on in the character’s head that allows him or her to treat others with disregard?
- Give your villain a shady past — what terrible things has your villain done throughout his or her life? Some villains are just trouble makers; others are deranged psychopaths. How extreme is your villain?
- Identify the source — what happened to your villain to turn him or her so evil? Was your villain born that way?
- Flawed villains do good things — the most interesting villains are not completely evil. They have a soft spot for puppies or they write cheesy love poems. Contrary personality traits add depth and realism to all characters. Describe your villain’s positive traits (but keep them brief!)
- Put your villain in a scene — make sure you include dialogue so you can work out how your character speaks. Try to give your villain a distinct voice. Is your villain disguised as a good guy? Does your villain spend every waking minute committing evil deeds?
Most importantly, have fun! That’s what fiction writing exercises are all about. Villains are the characters we love to hate because they often are the harbingers of obstacles and challenges through which the heroes of our stories prove themselves. Whether you write totalitarian bad guys like Lord Voldemort of Harry Potter fame or more subtle, complex nemeses like Catwoman from the Batman comics, give your villains plenty of color, character, and complications.
But don’t let them get too deep inside your head.
Have a great weekend writers! And keep on writing that fiction and those villains.
If you have any fiction writing exercises to share, feel free to post them in the comments or send them in as a guest post.
Flash Your Fiction: Writing Exercises
These fiction writing exercises are designed to help fiction writers shave away the fluff and reveal the bare bones of a piece of fiction. We’ll start with one exercise that is best for helping writers assess the core structure of a story and then explore a few bonus flash fiction writing exercises that are good for developing concise writing skills.
What is Flash Fiction?
Flash fiction is a short story that is extremely brief. There is no official word limit, but generally, stories with less than 1000-2000 words would fall under the flash category.
Fiction Writing Exercises and Flash Fiction
Many writers have a habit of using gratuitous words and phrases in order to meet a word count, make a piece sound more rhythmic, or to enhance descriptive passages. Often, such words hinder a story because they leave less to the reader’s imagination. Other times, there is so much description that the plot and characters get lost in the fray.
Fiction writing exercises like the one below will help you pinpoint areas where excessive wording is creating a problem. In addition, it will peel away the layers of your story, revealing its core. Plus, it’s a very simple exercise and can be completed rather quickly if you’re using word processing software such as Microsoft Word.
Flash Your Fiction
Select a short story that you’ve written and is either completed or near completion. Try to choose one that is about ten pages long. Of course, you can do this exercise with an entire manuscript, or with a story that is just a couple of pages long, but ten pages is good to start with.
First, save the file with a new name so that you don’t lose your original work. Go through the piece removing every single adjective and adverb. Next, remove words, phrases, and sentences that do not move the action of the story forward, especially if they are solely there for description.
Finally, go through the story one last time removing as much as you can without making the piece unintelligible. A traditional example is:
Boy meets girl. Boy gets girl. Boy loses girl. Boy wins girl back.
Of course, this is an oversimplified example, but it certainly gives you an idea of just how much a story can be broken down into its basic movements.
More Flash Fiction Writing Exercises
If you don’t have any pieces that you feel are appropriate for this exercise, or if you want to try something a little different, or if you just want to do more flash fiction writing exercises, here are a few more projects you can tackle:
- Write a piece of flash fiction from scratch and try to keep it under 1000 words. If you really want to push yourself, aim for less than 500 words. It’s harder than it sounds!
- Instead of rewriting an entire piece, turn a scene or a chapter into a flash fiction story.
- Turn movies, novels, and other story sources into flash fiction writing exercises. Take the plot from a movie or book that you like and try to write it as a piece of flash fiction.
This exercise can be a lot of fun and it’s extremely eye-opening when you start to realize just how many unnecessary words we pack into our writing. It’s also interesting to see the raw skeleton of a story after stripping away its excess.
Are You Up For It?
If you decide to try any of these fiction writing exercises, feel free to post your story in the comments (as long as it’s not too long) or if you publish the story on your own blog, go ahead and post a link.
Have a great weekend and keep on writing!
If you have any fiction writing exercises to share, feel free to post them in the comments.
Fiction Writing Exercises: Become Your Nemesis
These fiction writing exercises will benefit both fiction and nonfiction writers.
They are designed to help fiction writers gain a better understanding of antagonistic or elusive characters and will help nonfiction writers relate to contradictory or opposing viewpoints.
The idea is to try and view the world from a perspective that is completely different from your own and to get inside the head of someone who is not like you.
Fiction Writing Exercises
Fiction writing exercises are a great way to work your writing muscles, especially when you’re feeling uninspired. And while this exercise doesn’t exactly deal with politics, it sure is good practice for political and advocacy writers, as it will help with making predictions about an opponents’ arguments and addressing them in advance.
And like all fiction writing exercises, these are great for aspiring novelists and folks who enjoy penning short stories. Characters are the heart and soul of any story, and to make them real and vivid, you have to be able to get inside their heads. And that’s a challenge.
Never underestimate the power of a challenge. For example, can you put yourself in someone else’s shoes — someone who is completely your opposite?
Step into My Shoes – I Dare You!
By stepping into another person’s shoes, or writing from a viewpoint that contradicts our own, we can generate characters that are more realistic, and we can craft stronger arguments. For this writing exercise, you will select a person, position, or belief with which you are at odds. Do you have a neighbor who argues that he should not pay his share for the fencing on your shared property line? Are you for or against the death penalty? Do you adhere to the Ten Commandments?
Here are some ideas to get you started:
People
Think of a person that constantly has you gritting your teeth. It could be someone close to you, perhaps a relative. Or it could be someone in the media spotlight — a politician, celebrity, or sports star. It could even be a character from a book or movie. It needs to be someone with whom you feel inner conflict, and who possibly makes you uncomfortable.
When you sit down to write, you will write as if you are this individual. Write an essay, in first person, from this individual’s perspective, and make a concentrated effort to address those things that bother you.
Positions
Many of us have very strong positions on various issues. Some are serious and others aren’t very important in the grand scheme of things. Do you eat meat or are you a vegetarian? Are you a conservative or a liberal? Do you support stem cell research? Are you for or against the war in Iraq? Look at some of the top news stories this week for more ideas. Or, for a more lighthearted approach, look to lifestyle differences. Do people outside the mainstream intrigue or offend you? How important are table manners? Mac or PC?
Whatever your own stance is, write as if you held the exact opposite position. Argue against your own arguments and discover what the other side is thinking. This can build empathy and lead to discovery and insight.
Beliefs
What religion or philosophy do you adhere to? Chances are, whatever it is you believe with regard to ethics and spirituality, there are a whole bunch of someones out there who see things in quite a different light. Are you an atheist? Write as a Catholic. Do you believe in evolution or creation and intelligent design? Write as an agnostic.
Use this exercise to better understand the similarities and differences between contrary ways of thinking and believing.
The Nemesis
Write at least 1000 words as your own nemesis. The piece can take the form of a letter (especially useful if you choose a person), an opinion editorial, personal essay, or memoir. Don’t be afraid to get creative! Try writing a poem (great approach if you’ve chosen to write about beliefs) or flash fiction.
This is a great writing exercise to revisit, especially if you get stuck with one of your fictional characters. Can’t figure out what your villain would do next? Write a short piece in first person point of view from your villain’s perspective.
Remember, you’re not mimicking the other side, you are stepping into it. Try to relate to the way your opposite thinks and feels, and remember that each of us is shaped by our life experiences.
Good luck and try to have fun with these and other fiction writing exercises!
And keep on writing!
If you have any fiction writing exercises to share, feel free to post them in the comments.
Fiction Writing Exercises: Step Out of Your Shoes
One of the most exciting and challenging aspects of being a writer is creating characters. It is an opportunity to step outside of your own reality and take on a completely different persona.
Unless you’re an actor, an undercover agent, or just plain crazy, you don’t get many chances in life to do that.
With fiction writing exercises that focus on character creation, you can start building skills that allow you get under your character’s skin and get inside his head. These types of fiction writing exercises will take you beyond writing character sketches and descriptions and will truly help you understand your characters and all their deep complexities.
Realistic Characters
For characters to truly resonate with readers, they must be vibrant and stir the audience’s emotions. Readers have to become attached to the characters, feel sympathy, compassion, even love (or hate) for them. It’s not easy to fabricate people (or other beings) that don’t really exist, have never existed, yet make them seem real. But it can be done.
So how do writers achieve this great feat?
Well, much credence has been given to the old adage write what you know. Base a character on a friend or family member or yourself. But what fun is that? If you’re an accountant by day, do you really want to play an accountant in your fantasy world too? Probably not. And when you create a character, that’s pretty much what you’re doing, playing a role. You have to get into the character’s mind, live the life, absorb the environment in which the character lives. You have to be your character.
Character Writing Exercises
So, here’s a challenge: write a character you know nothing about. If you grew up in the big city, write as a farm hand. If you grew up on a farm or small town all your life, write about an army brat who was raised living in dozens of towns, going to different schools each year. Are you a stay-at-home, married mom? Write as a single woman making it big in the big apple. If you’re a successful businessman, write as a prison inmate who grew up on the wrong side of the tracks.
The idea is to get outside your comfort zone, and explore a different life than the one you know. Even if this is not the type of character you’d normally create, fiction writing exercises like this one will help you when you have to come up with a secondary character who’s not from the world with which you’re familiar. It will also expand the types of characters you’ll feel comfortable bringing into your stories.
This is not a character sketch. It’s more like a monologue. Write a one-page essay in first person from the perspective of a character you’ve created who is totally outside your realm of reality. Think about your wildest dreams or the most incredible adventure you’d like to have, and be that character. Or, if you’re really brave, try something that intimidates you. If you have a fear of flying, write as an airline pilot. Fear of drowning? Write as a SCUBA diver. Does math make you squirm? Write as a mathematics professor at university.
Fiction Writing Exercises for Fun and Focus
It’s just one page and one character, so this shouldn’t take too long. If it sticks and you get really into it, write several pages, or try doing this exercise with different characters. You might unveil a new side of yourself that you didn’t know you had. You might find it completely uncomfortable and decide to go back to writing what you know, but at least you will have tried something new.
Remember, fiction writing exercises are supposed to be fun, but their purpose is to challenge you to try new things and think in new ways, so be sure to focus on your character and make a conscious effort to get inside the character’s head as you work your way through this exercise.
Feel free to post comments about your character, or post the whole page. Who or what will you become? What shoes are you going to step into when you step out of your own?
Good luck and have a great weekend! Keep on writing!
If you have any fiction writing exercises to share, feel free to post them in the comments.
Fiction Writing Exercises for the Holiday Season
Looking for creative writing ideas or fiction writing exercises this holiday season? You’re in luck, because I have a wacky one for you.
Before we start, a quick disclaimer: this is a fiction writing exercise in holiday customs rather than the holidays themselves, so this writing exercise is suitable no matter which holiday you celebrate, or even if you don’t celebrate any at all.
Before I reveal the challenge, let’s take a look at a few interesting holiday customs and traditions.
Holiday History
The Christmas Tree
We go outside, chop down a pine tree, then bring it into our home, where we set it up in our living room and attach colorful, twinkling lights all over it. Then, we hang an assortment of decorative items from the boughs. Finally, we top it off with a star or an angel and place a heap of gifts underneath. Then, for a few weeks, we look at the pretty lights, maybe sing a few songs or sit by the tree drinking eggnog until finally we get to open all those gifts. Once we do that, we undecorate the tree and dispose of it.
Menorah (Hanukkah)
On the first night, we light one candle. On the second night, two candles. On the third night, three. We do this for eight nights in a row. Over the course of those eight nights (and days), we distribute gifts, eat chopped liver, and we take out little wooden blocks decorated with strange glyphs and spin them on the floor.
Winter Solstice & Saturnalia
Throughout history, winter solstice has been celebrated by cultures throughout the world with a huge spectrum of traditions. The most interesting, perhaps, is Saturnalia, an ancient Greek festival. During Saturnalia, slaves were exempt from punishment and were allowed to treat their masters disrespectfully. Masters and slaves would also reverse roles and for a day, the slaves would learn what it was like to be master and vice versa.
Santa Claus
Every Christmas, a fat man in a red suit climbs into a sleigh pulled by eight nine magical flying reindeer (the ninth one has a red nose that lights up), and he travels all over the world in a single night, stopping at every house that has children sleeping soundly inside. At these homes, he lands on the roof, climbs down the chimney, and then leaves toys that were made by elves under the trees (see Christmas Trees above) for good boys and girls.
The Easter Bunny
It happens around springtime. A special rabbit named The Easter Bunny visits every house with children (note: this sounds awfully familiar). Unlike with Santa, we don’t know how he travels or how he gets in and out of the houses, but he leaves baskets filled with treats and goodies, plus, he hides colorful hard-boiled eggs all around the home (inside and out) for the children to hunt and find the following morning.
So Many Ways to Celebrate
One of the things I love about holidays is that there are so many of them, and they are each rich in their own unique customs. Actually, I celebrate more than my fair share of holidays, especially at this time of year, because I’m sort of a holiday mutt and I like a little bit of this and little bit of that.
But sometimes, I find myself wondering about these crazy customs. Who thought of them? Where did they begin? And why?
When did people decide to bring trees in from outside and decorate them? What gave a rabbit reason to hide eggs from small children? And where on Earth did Santa find those reindeer? Seriously, I gotta get me some of those!
And these holidays are just a small sampling. Think about Halloween, St. Patrick’s Day (leprechauns!), or the dragons of the Chinese New Year. Sure, you can research all of these holidays and find out where the traditions for observing them originated (I strongly suggest doing this sometime – it’s absolutely fascinating) – OR -
you can write your own holiday.
Holiday Fiction Writing Exercises
That’s right, invent a holiday of your own. Give it roots, a raison d’être. How did it start? What historical event does it observe?
Then, start thinking of the wild ways that people will celebrate this event. Will there be a special festival? Costumes or dresswear? What foods will be prepared and consumed? Are there any magical characters that arrive for this holiday? Gifts? Songs? Rituals?
Saturnalia is pretty wild (I’ve been fascinated by it ever since I first learned about it in a Shakespeare class) – imagine if we did that today. Teachers could reverse roles with students, parents with their kids, husbands with wives (is that possible?), bosses with employees (yeah!).
I encourage you to be as wild and wacky as possible and have a good time with this fiction writing exercise. The fantasy and speculative fiction writers out there will probably love this one, but it’s great for all types of writers because it does that thing that makes us tingle – gets our imaginations all fired up and burning as brightly as a Yule log.
Wait, Before You Go
If you know about any other interesting holiday traditions, please share them in the comments. It’s always riveting to learn about different customs and cultures, and also great fodder for fiction writing exercises!
Happy holidays, and keep on writing!
If you have any fiction writing exercises to share, feel free to post them in the comments.










