You Can’t Edit a Blank Page

jodi picoult

They say it’s better to have loved and lost than never to have loved at all. We can say the same thing about writing: it’s better to write badly than to write nothing at all.

Jodi Picoult offers some insight that summarizes this idea in a clear, concise manner:

“You can always edit a bad page. You can’t edit a blank page.”

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The All-Important Relationship Between Grammar and Writing

grammar and writing

Grammar and writing go hand in hand.

Today I’d like to share an excerpt from my book 10 Core Practices for Better Writing.

This excerpt is from “Chapter Four: Grammar,” which explores the relationship between grammar and writing and includes tips and resources for mastering grammar. Read More

From 10 Core Practices for Better Writing: Revising Your Writing

revising your writing

Revising your writing makes it better.

I’d like to share a few excerpts from my book 10 Core Practices for Better Writing. “Chapter Three: Revision” explores the importance of revising your work and includes tips and ideas for editing and proofreading.

“The best writing is rewriting.”
E.B. White

We use the terms first draft or rough draft when we are initially writing a piece because almost every single project is going to go through multiple drafts. But how is the drafting process tackled? And what are the benefits of multiple revisions? Read More

Improving Your Writing Through Poetry

improving your writing

Improving your writing with poetry.

In the world of writing, one form stands out as different from all the rest: poetry.

Poetry is not bound by the constraints of sentence and paragraph structure, context, or even grammar.

In the magical world of poetry, you can throw all the rules out the window and create a piece of art, something that is entirely unique.

That doesn’t mean writing poetry is creatively easy. It can be much more difficult to make a poem than it is to write an essay or piece of fiction. There’s so much creative space, and without any limitations whatsoever, it can be overwhelming.

Yet poetry brings a great bounty of writerly skills and tools, and many of these will spill over into other writing forms, sprinkling them with just a little of the magic that is poetry. And while poetry might not be your favorite form of writing, reading poetry, poetry exercises, and poetry writing are fun and creative methods for improving your writing in any other form or genre.

Improving Your Writing

What is it about poetry that makes your writing better?

Mindful Imagery

While other creative writing forms may use vivid imagery to create pictures in the reader’s mind, no other form comes close to what can be achieved with imagery in poetry writing.

Most writing forms attempt to explain something — a scene, a situation, an idea, a set of instructions, an experience. Poetry doesn’t bother to explain. It shows. It paints a picture and pulls you into it.

In a poetry workshop, you will hear this over and over: show, don’t tell. When you master the art of showing readers an idea through imagery, you can easily apply the concept to your other writing, creating work that comes alive in a reader’s mind.

Language, Word Choice, and Vocabulary

A poet’s vocabulary is paramount. Of course, language is essential to all types of writing, but in poetry, words must be selected carefully in order to generate a visceral response from the reader. In fiction, readers connect emotionally with characters and their plights. We get to know the characters, understand them, and we come to relate to them or even think of them as friends (or enemies).

Characters rarely appear in poetry, so instead of using the emotional connection forged between people, a writer must grab the reader’s heart by appealing to their senses, using words and images that make readers feel. This is achieved by learning how to use language that evokes emotions without telling readers what they should be feeling.

The meaning of each word in a poem must be weighed carefully. Connotations can mean the difference between a poem with depth and a poem that feels flat.

Finally, every single word must be necessary to the poem. Therefore, poetry teaches writers how to be economical with language.


A poet must be constantly aware of meter and rhythm. Poems and song lyrics are often compared, confused, and intermingled, and with good reason. Both poetry and music must pay attention to cadence and melody.

Think about how you feel when you hear a particular piece of music. You tap your feet, shake your hips, bang your head. Our bodies respond physically to music.

Through poetry writing comes a natural ability to marry musicality with language. When this musicality is brought to other forms of writing, readers feel it in their bones and muscles. They will have a physical reaction.

The Practice and Study of Poetry Results in Better Writing

Writing is about connecting with readers. And poetry writing helps you develop skills for connecting with readers mentally (language), emotionally (images), and physically (rhythm). Many young and new writers are impatient with poetry. They were forced to read archaic poems in school and came away with a bad taste for poetry. But poetry is like music; there’s something for everyone. Look around a little and you’ll find a poet whose work speaks to you.

If you’re interested in exploring poetry and using it to improve your writing, start by checking out these accessible resources:

  • Poem of the Day (podcast): Packed with classic and contemporary poems, each piece is only a minute or two in length. Save the ones you like and listen to them over and over again. Tip: you can subscribe via iTunes.
  • IndieFeed: Performance Poetry (podcast): Today’s poets are cutting the edge with poetry that speaks to the 21st century. From humor to heartbreak, these poets write out loud. Most pieces are under ten minutes, and the podcast updates a few times each week.
  • Poetry Foundation: Once you whet your appetite, dig in and find out what’s going on in the world of poetry. The Poetry Foundation is dedicated to the craft of poetry and includes lots of great poems, poets, and other poetry related resources.

Improving your writing through the practice and study of poetry forces you to whip out your magnifying glass and look at your writing up close. Whether you apply poetic concepts to fiction, blogging, or article writing, your engagement with poetry will help you produce better writing.

If your writing is good today, it can be great tomorrow.

Have you ever dabbled in poetry and noticed how it affected your fiction or creative nonfiction? Have you tried improving your writing through poetry? Share your thoughts by leaving a comment.

Daily Writing Leads to Better Writing

daily writing

Daily writing will lead to better writing.

Today’s post is an excerpt from 10 Core Practices for Better Writing. This is from “Chapter Two: Writing.” Enjoy!

“I only write when I am inspired. Fortunately I am inspired at 9 o’clock every morning.”
– William Faulkner

Ideally, you’ll write every day.

Writers who come to the craft out of passion never have a problem with this. They write every day because they need to write every day. Writing is not a habit, an effort, or an obligation; it’s a necessity.

Other writers struggle with developing a daily writing routine. They start manuscripts, launch blogs, purchase pretty diaries, and swear they’re going to make daily entries. Months later, frustrated and fed up, they give up.

Routines don’t work for everyone, but they do work for most people. Almost all the writers I know say they have to write every day. If they miss a day, they end up missing two days, then three, four, and pretty soon they haven’t written in several weeks.

A scant few writers can produce good work by binge writing. They don’t write at all for a few months, and then they crank out a novel in a few weeks. But this is the exception rather than the rule.

So, are you the exception or are you the rule? The only way to find out is to experiment.

I’m a huge advocate for writers trying different things. Go ahead and try writing only when you’re inspired. Over the course of a month, how much did you write? How about in the span of a year? Did you write a whole novel? A page? Nothing? If you’re productive working this way, stick with it.

When weeks have passed and you haven’t written a single word, when unfinished projects are littering your desk and clogging up your computer’s hard drive, you can give up entirely and take out a lifetime lease on a cubicle in a drab, gray office. Or you can step back, admit that you have a problem, and make some changes.

Daily Writing

These days, we’re all crunched for time. You’d think technology would give us more time for leisure and personal pursuits, but it seems to have the opposite effect. The world just keeps getting busier and busier.

What you’ll find is that if you write only when you feel like it, you won’t write very often. The world is full of distractions—phone calls, emails, television, video games, social media…The list goes on and on.

We’ve already established that the best way to improve your writing is to practice. You can improve your writing by writing occasionally, but the improvements won’t be significant and it will take decades for you to become an expert. What you need to do, even if you just try it for a month to prove to yourself there’s a better way, is to make writing part of your daily routine.

The single best way to develop a routine, to make something a habit, is to do it every day. Okay, you don’t have to write every day, but you should get in a good twenty-minute writing session at least five or six days a week—I would say that’s the absolute minimum. If you can write for a full hour, all the better. Remember, this is time spent writing—not reading, editing, or brainstorming. It’s your writing time.

I once had a music teacher who said it’s better to practice for fifteen minutes every day than to practice for two hours three times a week. I think the same is true for writing. Even if you dedicate only a few minutes to writing every day, it will become an ingrained habit. Writing will become an integral part of your life.

Think of it this way: if you exercise for five hours every Saturday, you end up sore. By the following Saturday, your muscles have weakened again, so you have to start all over. On the other hand, if you exercise for forty-five minutes a day, five days a week, you’ll build up your muscles. The soreness will subside and you will get stronger and leaner. And overall, you’ve actually put less time in.

Your writing practices are not unlike your diet and exercise habits. You’ll get the best results if you start slow and develop a regular routine.

This doesn’t mean you have to do the same thing every day. Sure, you may be working on a novel, but you can take breaks to write poetry or essays. If you don’t have a project in the works, then do some writing exercises. I have found blogging to be an excellent way to ensure that I write consistently, especially between projects.

10 Core Practices for Better Writing

Sneak Peek at “10 Core Practices for Better Writing” — Read More and Write Better

write better

Read more and write better.

Today I’d like to share a sneak peek at my forthcoming book, 10 Core Practices for Better Writing, which will be available in early July.

The book explores 10 essential habits that every writer can adopt to become a master of the craft of writing.

Today’s post features several excerpts from the first chapter, which covers the first and most important practice: reading. If you want to write better, then you need to read more.

“If you don’t have time to read, you don’t have the time (or the tools) to write.
Simple as that.” – Stephen King

To write well, there are only two things you absolutely must do: read and write. Everything else will flow from these two activities, which are essentially yin and yang. Without each other, reading and writing cannot exist. They rely on one another. They are two parts of a greater whole.

Writing is a complex and complicated skill. While basic writing skills can be taught, it’s impossible to teach the art of fine writing. It is possible to learn, but this learning is only fully achieved through reading.

The human brain is like a sponge. We soak up everything we observe and experience throughout our lives, and each thing we are exposed to becomes part of the very fiber of our beings. What we read is no exception.

You may not be able to recite all the Mother Goose nursery rhymes you read as a child, but they’re still somewhere in that head of yours. When a little voice whispers Jack be nimble, Jack be quick, there’s a good chance you’ll recall Jack jumped over a candlestick. You absorbed that nursery rhyme many years ago, and it remains with you, always.

If you want to write well, you must read well, and you must read widely. Through reading you will gain knowledge and you will find inspiration. As you read more, you will learn to read with a writer’s eye. Even grammar sinks in when you read. If you’re worried about memorizing all the rules of grammar, then just read books written by adept writers. Eventually, it all will become part of your mental makeup.

A well-read writer has a better handle on vocabulary, understands the nuances of language, and recognizes the difference between poor and quality writing.

A writer who doesn’t read is like a musician who doesn’t listen to music or a filmmaker who doesn’t watch films. It is impossible to do good work without experiencing the good work that has been done.

All the grammar guides, writing tips, and books on writing will not make you a better writer if you never read. Reading is just as crucial as actually writing, if not more so, and the work you produce will only be as good as the work you read.

Reading Widely

“Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it.” – William Faulkner

We are like mirrors. We reflect back into the world all that we have taken in. If you mostly read textbooks, your writing will be dry and informative. If you read torrid romance novels, your prose will tend toward lusty descriptions. Read the classics and your work will sound mature. Read poetry and your work will be fluid and musical.

It’s important to read technically adept writing so you don’t pick up bad grammar habits but what about voice and style, word choice and sentence structure? What about story and organization? How does what we read influence the more subtle aspects of our writing?

If you know exactly what kind of writer you want to be, you’re in luck. Your best bet is to read a lot within your favorite genre. Find authors that resonate with your sensibility and read all their books.

At the same time, you don’t want to rope yourself off from experiencing a wide range of styles. You might like high literature and want to pen the next Pulitzer Prize winning work of fiction. You should read the classics, of course, but don’t completely avoid the bestsellers. There’s a mentality among some writers that you should only read that which you want to write. It’s hogwash. Reading outside your chosen area of specialty will diversify and expand your skills, and you’ll be equipped to bring new techniques and methods into your craft. If you so choose, you’ll even be able to walk, or perhaps cross, genre lines.

If you want to be a science fiction writer, then by all means, stock your shelves with loads of sci-fi. Buy out the science fiction section in your local bookstore. But don’t seal yourself in a box, otherwise your work will become trite. If you’re too immersed in genre, your writing will feel formulaic and not in a good way. You’ll end up playing by all the genre rules (and this is a key reason why much genre work is ignored by academics and literary elite—it’s too focused on catering to its genre and not focused enough on good storytelling). For example, do we need another epic fantasy with names that nobody can pronounce and that are oddly strewn with apostrophes? No, I don’t think we do.

So yes, you should concentrate on your genre, but don’t cut yourself off from the rest of literature. You should read a few books outside your genre each year and make sure you toss in some of those classics for good measure.

How much do you read? What are you reading now and what have you read recently? How does reading affect your writing? Share your thoughts by leaving a comment, and keep writing!

10 Core Practices for Better Writing

Keeping a Journal Makes You a Better Writer

keeping a journal

Keeping a journal makes you a better writer.

The more you write, the better your writing becomes. That’s not an opinion; it’s a fact. Experience breeds expertise, so if you write a lot, you’ll become an expert writer.

Writing every day is the best way to acquire lots of experience.

Writers who come to the craft out of passion never have a problem with this. They write every day because they need to write every day. Writing is not a habit, an effort, or an obligation; it’s a necessity.

Other writers struggle with developing a daily writing habit. They start manuscripts, launch blogs, purchase pretty diaries and swear they’re going to make daily entries. Months later, frustrated and fed up, they give up.

When weeks have passed and you haven’t written a single word, when unfinished projects are littering your desk and clogging up your computer’s hard drive, you can give up and take out a lifetime lease on a cubicle in a drab, gray office. Or, you can step back, admit that you have a problem, and make some changes.

Keeping a Journal

One thing sets successful writers apart from unsuccessful writers: dedication. When you’re dedicated to the work, your chances for success increase exponentially. And one of the easiest, most natural, and creative ways to commit to your own writing and produce better writing over time is keeping a journal.

Writers who are not working at the professional level are juggling their writing projects with full-time jobs, families, school, and a host of other obligations. Writers also get stuck. You’re working on a manuscript, and then one day, the ideas stop flowing. You decide to step away for a day or two, and three months later, you’ve practically forgotten all about that book you were writing. In fact, you can’t remember the last time you sat down and actually wrote something.

Journals can be used for many things, but first and foremost, keeping a journal is a solution. Journaling is best known for its artistry and highly recognized for its self-help or vent-and-rant benefits. But few young or new writers realize that a journal is a writer’s most sacred space. It’s a place where you can jot down or flesh out ideas, where you can freewrite or work on writing exercises when you’re blocked, and where you can tackle writing prompts when you’re short on time. It’s a space where you develop better writing skills and learn new techniques through trial and error. And it’s superb for fostering a daily writing habit.

In other words, keeping a journal can make you a better writer. That’s not to say it’s the only way (there are many ways to become a better writer), but it’s a good way.

Inspiration and Productivity

The three biggest barriers to a writer’s success are writer’s block, time management, and procrastination.

Writer’s Block

If you’re working on a big project and writer’s block sets in, a good solution is to take a break and work on something else for a while. Too many writers take “something else” to mean “a different novel.” Instead of breaking from one big project to launch another big project (and ultimately ending up with several unfinished projects), use the break to write in your journal. This gives you time to step away from the project that is stuck and provides a space for you to continue writing (and possibly work through the problems you’re having with your project).

Time Management

Everyone wants to write a book, even people who don’t consider themselves writers and who don’t want to be writers. But who has the time? Aspiring writers often complain that they’d love to take their writing hobby to the next level, but they’re too busy. Journal writing is an ideal way to bridge that gap. Keeping a journal provides a time and space where you can explore ideas, develop good writing habits, and sharpen your writing skills, so when there is finally time in your schedule to write that book, you’re ready for it.

Distractions and Procrastination

You can keep a journal on your computer (or you can use an old typewriter, if that kind of thing appeals to you). But most writers use a good, old-fashioned notebook: pen and paper. While we can certainly crank out more words when we type, we are also at risk for the many distractions of the computer and the Internet. When your journal writing sessions are offline, your productivity may increase tenfold because you spend the entire session writing. After all, your journal doesn’t have Twitter or solitaire on it. There are no distractions, so you’re less likely to procrastinate.

The Benefits of Keeping a Journal

The truth is, you don’t have to write every single day to be a professional or published writer. Daily writing is the best practice, but many writers keep a regular, five-day work week. A few writers get by on the binge model, writing heavily for a few months and then not writing at all for a while. But one rule remains firm: those who succeed treat their writing as a job and they commit to it.

Keeping a journal is an ideal way for writers to fulfill that commitment. When you keep a journal, you rid yourself of excuses. You can no longer say that you’re stuck on a plot twist because you can write in your journal until the plot becomes untwisted. In fact, writing in your journal may help you do just that. When you’re short on time, you can always turn to your journal for a quick, ten-minute writing session, even while larger projects are sitting on the back burner. And your journal is distraction-free, so you can stay focused during your journal writing sessions.

Do you have to keep a journal in order to succeed and become a professional or published writer? No, of course not. There are many paths to better writing and journal writing is just one trail on the mountain, but it’s a trail that is entrenched with the footprints of successful writers throughout history who have benefited from keeping journals.

Do you keep a journal? How do you use your journal writing time? How often do you write in your journal? Share your thoughts by leaving a comment.

10 Core Practices for Better Writing

100 Common-Sense Ways to Write Better

write better

A hundred sensible ways to write better.

Nobody’s born knowing how to read and write.

Sure, the lucky ones have talent, but we all start out learning our ABCs. We memorize the sounds that letters make, and we learn how they come together to form words. Pretty soon, we’re reading. Someone puts pencils in our hands and then we’re scribbling letters on paper. At last, we can write.

It takes years of study and practice just to be able to write a simple sentence. So, what does it take to become a proficient and professional writer, to compose thoughtful and meaningful pieces of writing?

It takes commitment and a willingness to work hard at the craft. There are big things you can do to write better, like go to college and study literature or creative writing. But there are also quicker, simpler ways to improve your writing a little bit at a time.

Write Better with These Techniques

There are innumerable techniques that we can apply in order to write better. I started writing a short list of some quick and easy things we can all do to improve our writing and suddenly found that list approaching 100, so that’s where I decided to stop. The list below is not exhaustive. In fact, if you think of anything to add, please do so by leaving a comment.

  1. Be willing to invest in your writing. Buy a book. Splurge on a professional critique.
  2. Be willing to make sacrifices. Give up one of your TV shows or skip your vacation and stay home to write instead.
  3. Start with a vision or a concept. Let that be your guide as you write.
  4. Keep it simple. Tight writing is clearer and easier to read. Let readers get lost in the story instead of getting caught up in the words.
  5. Be logical. If a character is hiking in the Appalachian mountains, she might slip and fall but she probably won’t break a heel on her high heeled shoes.
  6. Write better by avoiding clichés.
  7. Read books, articles, and essays on the craft of writing. But don’t spend more time reading about how to write than you spend writing. I recommend a book every three months for beginners.
  8. Be aware of how you structure your writing. Start with a compelling introduction and end with a closing or summary that will linger in the reader’s mind.
  9. Set word counts or time minimums for your writing sessions. Experiment to find what’s comfortable for you. My minimum is 500 words, but I can produce up to 2000 words in a one-hour session if I’ve planned what I want to write.
  10. Find out whether you work better with an outline. Many writers find that their writing is more focused when they use an outline. You can also establish mileposts (main points you want to address or significant plot points you want to reach).
  11. Stop talking about what you’re going to write. Stop thinking about what you’re going to write. Sit down and write.
  12. Avoid passive voice unless you’re writing historical fiction. This is what passive voice looks like: She was invited by her boyfriend to the concert. Active voice is far more effective: Her boyfriend invited her to the concert. You will almost always write better in active voice.
  13. There’s more to writing than just writing. Some of our most important work is done away from the keyboard. Make sure you set aside time for prep work, outlining, note-taking, research, planning, and revisions.
  14. Find your best routine. Some writers work well in the morning. Some work better at night. Some like to write in short, 20-minute spurts. Others do better with longer sessions.
  15. Write about topics and themes that you’re passionate about. Don’t set out to write a zombie book because zombies are hot right now. Write what genuinely interests you.
  16. During the first draft, allow yourself to be messy. Don’t worry if you haven’t named all your characters or if your punctuation marks are in the right places. Just get it written.
  17. Use the first draft to find your voice, discover your characters, and unearth your plot and themes. You can dig into the details later.
  18. Be flexible: many writers say their best stories take off in unpredictable directions. As the saying goes, let the characters take the reins. The discovery process is often what makes writing fun and magical.
  19. Allow yourself to write badly. It’s better to write badly than to write nothing at all. You can fix it up later, and if it’s beyond redemption, you can move on having learned something.
  20. Do not abandon one project just because you had another brilliant idea. Stay focused and finish what you start.
  21. Know your limits. Can you work on several projects simultaneously? Some people write better when they’re working on one project at a time. Others can manage multiple projects.
  22. Keep adjectives and adverbs to a minimum. Go through an old piece of your writing and highlight all the adjectives and adverbs. How many of them could be deleted or replaced with more precise nouns and verbs?
  23. Connect with other writers. They will keep you going. Find them in book clubs, writing groups, classes, workshops, online and offline.
  24. Get an alpha reader (or two) and a few beta readers. Have your work critiqued. Feedback is essential!
  25. Be willing to rewrite — not just tweak, edit, and make minor changes, but completely rewrite either large portions or an entire book.
  26. Set deadlines. If you can’t meet your own deadlines, get someone to hold you accountable: a writing coach, teacher, or writing group or buddy. Most of us are less likely to let someone else down.
  27. Don’t stop for anything. Some days you’ll be too tired, too hungry, too stressed out to write. Give yourself some slack (cut your writing session in half) but don’t skip it!
  28. If you get stuck, find something in your project to explore. When my story hits a brick wall, I stop and work on character back-stories, world building, research, and brainstorming.
  29. If you need a special writing space, then create one. Make it a priority. But know that not having a special writing space is not an excuse. Many writers have worked in undesirable conditions. Be committed!
  30. Explore relationships and internal struggles in your writing. This is where readers connect with what you’ve written.
  31. Make readers feel or think. Preferably, make them do both.
  32. Pull out your old writing every once in a while to see how much better you write now (I do it every few years).
  33. These days, self-publishing is free and easy, and I applaud people who take the DIY route. But get someone else to publish your work at least once. You’ll learn a lot through the submission-rejection-acceptance process.
  34. Put yourself in other people’s shoes. The best writers are empathetic.
  35. Show the scenes that really matter. Don’t spend three pages with your characters engaging in meaningless small talk and then spend a single paragraph on a major event that is central to the story.
  36. Don’t skimp on research. I was just reading reviews on a historical novel, and I discovered that readers are knowledgeable about facts and aren’t afraid to call out writers who fail to get them right!
  37. Be curious. Ask questions. Get a cynical friend or sharp-minded family member to check for holes, gaps, inconsistencies, and inaccuracies in your writing.
  38. Rewrite to make the substance of your work deeper, clearer, and more concise. I recently read an essay by a writer who rewrote an entire book twelve times. Twelve times! That’s dedication.
  39. Do you want to change the world with your writing? Look for injustice and inequality (you won’t have to look hard or far). Find real stories about real people and let them inspire you.
  40. Edit your writing to make it flow smoothly. Work at the sentence level.
  41. Take breaks between drafts and between every revision.
  42. Be engaged with your work. If you’re not engaged, your readers won’t be, either.
  43. Use the dictionary and thesaurus, even when you’re not writing. Look up words you hear in conversations or see in books and online. Here’s a bonus tip: use online dictionaries with audio pronunciations. Many heavy readers are prone to mispronounce words they’ve read but never heard.
  44. When you proofread (and you must proofread multiple times), train your eyes on words and punctuation marks.
  45. Know the difference between form (fiction, poetry, blogging) and genre (romance, science fiction, mystery).
  46. Think and daydream. Writers must make time for thought and imagination. If someone asks what you’re doing, say “I’m working.”
  47. Listen to conversations. How do people talk? Dialogue feels like real conversation but it’s an illusion. Record and transcribe a real conversation and then compare it with a great dialogue scene from one of your favorite books.
  48. When you read a book that doesn’t meet your highest standards, analyze it to determine what could have been better.
  49. Keep a notebook or journal. Small paper notebooks that fit into your purse or pocket are great (don’t forget to carry a pen). In the digital age, most of us have app-capable devices. I recommend Evernote for note-taking and web-clipping because it’s easy to use and syncs to all your devices.
  50. Always stay way ahead of your deadline, unless you do your best work under pressure.
  51. Don’t ever send shoddy work to an editor, publisher, or agent. If you need help, engage a writer friend or hire a coach or editor.
  52. If you’re writing dialect, do it with care, caution, precision, and consistency. Otherwise, don’t do it at all. Good dialect is hard to read. Bad dialect won’t get read.
  53. Don’t be afraid to think outside the box and take risks. If it doesn’t work out, you can always rewrite.
  54. Find out what your weaknesses are and then study or do exercises to practice and eliminate (or at least minimize) those weaknesses.
  55. Do not exaggerate. For example, in fiction: what kind of person jumps up and down screaming at the end of a job interview when she gets hired?
  56. Write every day, even if only for five or ten minutes.
  57. Learn your craft, including grammar, spelling, and punctuation.
  58. If you want to be a pro, adopt a style guide (and make sure you know what that is and whether your form of writing already has an established style guide).
  59. Try to see things from new angles. What would Alice in Wonderland look like from the Queen of Hearts’ perspective?
  60. Do not rely on spell check. Also, do not rely solely on editors and proofreaders. Do your best work using your own mind.
  61. Watch your rhythm. Vary the lengths of your words and sentences.
  62. Make sure your writing is properly paced.
  63. Master the art of formatting dialogue using dialogue tags and including action throughout dialogue. Dialogue is pretty tricky, so be willing to work at it.
  64. Set two kinds of goals: one for your writing (word counts and deadlines) and one for its content (what do you want to say to the world?)
  65. Watch out for unnecessary repetition. If you’re writing an essay about horses, you’ll have to use the word horses a lot. But don’t repeat words unnecessarily, especially in close proximity. That’s what the thesaurus is for!
  66. Use language that sounds natural and flows smoothly.
  67. Get out of your comfort zone once in a while. If you’re a journalist, read some poetry. If you like science fiction, read a little Shakespeare. Write outside of your form and genre, too.
  68. Nothing makes a piece of writing pop like stimulating readers’ senses. The cool, sweet bite of a red-and-white striped candy cane can set a holiday scene more vividly than ten pages of description.
  69. Do some legwork. Are you writing a scene that takes place at a baseball park? Go to a game. Bring your notebook.
  70. Know the difference between a metaphor and a simile. Use them wisely.
  71. Do not change tense or point of view in the middle of a piece unless you have a good reason. Don’t even do it on accident (this is the kind of thing you should catch during revisions and proofreading).
  72. Don’t leave big questions hanging around unanswered. Fulfill promises that you make to your readers.
  73. Take care of yourself! This goes without saying, but writers seem to be especially prone to eating poorly and forgetting to exercise, particularly when they’re absorbed in a project. Most of us have to make sacrifices to get our writing done, but our health should always come first.
  74. What goes in comes out. If you read and watch trash, you’ll probably write trash. If you’re okay with that, then so be it.
  75. Write because you want to, not because you have to. Sometimes, writing feels like a job. Find ways to remind yourself that this is what you love.
  76. Give your writing a little literary flair by studying poetry terms and literary devices like alliteration and assonance.
  77. If you don’t know what alliteration and assonance are, then go look them up. Now. I’ll be here when you get back.
  78. Don’t use big, fancy words or old-fashioned sentence structures to make yourself sound smart. You’ll either come off like a snob or like you’re stuck in the 19th century.
  79. Know when to be specific and when to be vague. The character is wearing a dress. Is it a sundress? A gown? A school uniform? Is the color of the dress important or can that be left to the reader’s imagination?
  80. Use detail to reveal character and reflect your themes. When we find out the character is wearing a Catholic school uniform, we learn a lot about her. Cut descriptions that aren’t necessary to the piece (like the fact that her shoes were brown).
  81. Most people use contractions in their speech. Remember this when you’re writing dialogue.
  82. Don’t use formatting and punctuation marks to instruct readers on where to place emphasis. Here’s an example of what not to do: You just had to say that, didn’t you? Yes, because it’s a good “rule of thumb.” Get rid of unnecessary italics and punctuation marks.
  83. When you read something that impresses or moves you, deconstruct it. Find out what makes it so special and compelling.
  84. Study your craft closely. If you write fiction, you should know about the three acts, character arcs, and themes. If you write poetry, you should know the difference between a couplet and a stanza.
  85. Be yourself and take risks. Sometimes, we feel like we’re revealing too much of ourselves in our writing. Not everyone wants to star in a reality show, and writers are often introverts or private people. But bare your soul once in a while.
  86. Look before you leap. Think about who will be affected. Will your friends stop talking to you after your memoir comes out? Will your lover see himself in the character you modeled after him? Could you lose your job? Predict the consequences, weigh them, and move forward.
  87. Seek the truth. The best writing is honest.
  88. Don’t keep repeating yourself. You don’t need to tell the reader twice that it’s Monday.
  89. There’s a lot of grammar and punctuation you’ll need to master. Commas are the hardest and most misused. Study and practice them.
  90. By all means, use your spell check but do not rely on it as a professional editor.
  91. Do not pepper your writing with symbols & shorthand. Your book, poem, or article is not a text message.
  92. If you write any kind of list, do not end it with “and so on,” “and so forth,” or “et cetera” unless you absolutely have to.
  93. Agreement: Subjects and verbs must agree. Pronouns and nouns must agree. This is the kind of stuff you should catch during one of your many proofreading sessions.
  94. Remember that there is a time and place to break every single rule.
  95. On the other hand, don’t assume that you or your writing are the exception. Don’t break rules because you’re lazy or trying too hard to be original. People want to be engaged more than they want to read some new kind of story that’s never been told before.
  96. Try to catch all your typos (and try your best) but don’t beat yourself over the head if you miss one or two.
  97. Words like “however” and phrases like “for example” work better at the beginning of a sentence than embedded in the middle and surrounded with commas. Don’t jar your readers unless you have a good reason.
  98. When you use pronouns, make sure the nouns they represent are clearly established, especially when two people of the same gender are mentioned in a single sentence.
  99. The best way to check for awkward wording, bad rhythm, missing words, and shoddy dialogue is to read aloud.
  100. Discard any advice that doesn’t work for you. Know your own working style.

Write Better Starting Now

Here’s a way you can put this list to good use: copy and paste it into a text document. Delete all the things you’ve already mastered. Then, choose three things to focus on for the next month. Choose one thing that you can do throughout the month (like read a book on craft), something you can do in a couple of minutes when the need arises (look up words you don’t know), and something you’ll need to do every time you write (avoid passive voice). Next month, pick three new techniques to tackle.

Do you write better than you did a year ago? Five years ago? What did you do to improve your writing? Do you know what your strengths and weaknesses are? Do you have anything to add to this list? Share your thoughts by leaving a comment. And keep writing!

10 Core Practices for Better Writing

Three Crucial Writing Practices

writing practices

A few mandatory writing practices.

Everybody wants to know the secret to success, and writers are no exception.

We often talk about all the things one must do in order to become a successful writer, and the list never ends. From studying grammar to sending out query letters and building a platform, writers have to wear many hats and stay busy if they hope to succeed.

However, most of those tasks are irrelevant (and success is impossible) if a writer hasn’t acquired the basic skills necessary for doing the work. There’s no reason to worry about submissions, queries, contracts, and marketing if your writing habits and skills aren’t up to the task of getting the project done.

Today let’s look at the three most crucial writing practices that are necessary to any writer’s success.

Crucial Writing Practices

I believe that success and opportunity go hand in hand. In order to succeed, we have to prepare ourselves so that when opportunities arise, we’re ready to grab them.

For a writer, every idea is an opportunity. However, if your writing skills aren’t up to par, then your ideas won’t matter because you won’t be able to execute them. You may have a great premise for a story, but if you don’t know how to write a story, you’ll never be able to bring that premise to life, at least not in a way that is effective or meaningful.

So it’s essential for young and new writers to focus on skill development, and the single best way to develop strong skills is by adopting a few simple writing practices.

1. Reading

I’m always surprised by aspiring writers who don’t read. I mean, if you don’t read, then why would you want to be a writer? That’s like making yourself a meal that you’d never eat.

When you don’t read, it shows in your writing. First of all, grammar, spelling, and punctuation are usually a mess. But there are more subtle indications too. Sentences are awkward, stories lack cohesion, poetry is riddled with unnecessary words and phrases. No matter how much writing practice you’ve had (and no matter how much you revise), if you don’t read, your writing will always be stuck at the amateur level.

So set aside some time to read. You can read one book a month or read for an hour every night before bed. Get up early and read articles and essays. Spend a few minutes every Sunday evening reading a poem. It will do wonders for your writing.

Bonus tip: make sure you occasionally study grammar and read about the craft of writing.

2. Daily writing

Okay, you don’t have to write every day, but you should get in a good, 20-minute writing session at least five or six days a week. If you can write for a full hour, all the better.

While some writers get by on binging (writing profusely for short periods, then not writing at all for a while), consistency will help you develop good habits while strengthening your skills. Think of it this way: if you exercise for five hours every Saturday, you end up sore. By the following Saturday, your muscles have weakened again, so you have start all over. On the other hand, if you exercise for an hour a day, five days a week, you’ll build up your muscles. The soreness will subside and you will get stronger and leaner.

Your writing practices are not unlike your diet and exercise habits. You’ll get the best results if you start slow and develop a regular routine.

This doesn’t mean you have to do the same thing every day. Sure, you may be working on a novel, but you can take breaks to write poetry or essays. If you don’t have a project in the works, then do some writing exercises. I have found blogging to be an excellent way to ensure that I write consistently (especially between projects).

Bonus tip: you’ll have better luck turning daily writing into a habit if you do it at the same time every day.

3. Revision

Normally, I say there are only two things a writer must do: read and write. However, if you want to succeed, reading and writing are not enough. You also have to learn how to produce the most polished work possible.

That means rewriting, editing, and proofreading your work.

Here’s a good rule of thumb: don’t ever show your work to anyone unless you’ve gone over it for at least one rewrite, one edit, and one proof. Nobody wants to see your typos. Not even your mother and certainly not any agents, editors, or readers.

Bonus tip: When you revise, use a style guide and make sure you keep resources handy so you can look up grammar questions.

What Are Your Writing Practices?

What do you consider your most important writing practices? When you’re crunched for time and have to choose between reading or writing, what do you do? Are there any essential writing practices you would add to this list? Is your writing regimen missing any of these critical tasks? Share your thoughts by leaving a comment.

10 Core Practices for Better Writing

What’s the Difference Between Good Writing and Great Writing?

great writing

Do you aim for great writing?

A good piece of writing holds your attention. It flows smoothly and everything makes sense. It’s interesting and a pleasure to read.

Great writing, on the other hand, doesn’t just hold your attention; it commands your attention. You become lost in it. You can’t put it down, and when you do, you want to read it all over again.

The question is, how do we define great writing?

Some would say that great writing shows true mastery of the craft: every word is carefully chosen, every sentence is thoughtfully constructed, and every paragraph is brimming with meaning and purpose. If you’ve ever marveled over a superbly written sentence, you’ve experienced this kind of writing. Read More