Today’s poetry writing exercise comes from my book 101 Creative Writing Exercises.
The exercises in this book encourage you to experiment with different forms and genres while providing inspiration for publishable projects and imparting useful writing techniques that make your writing more robust.
This exercise is from “Chapter 8: Free Verse.” It’s titled “Cut-and-Paste Poetry.” Enjoy! Read More
Fiction writing exercises can help you discover storytelling techniques and provide ideas and inspiration for your fiction writing projects.
These exercises provide practice and experience for young or new writers. For more experienced writers, these exercises offer inspiration and can help you see a story from a fresh perspective.
Today’s fiction writing exercises are carefully chosen to help you develop some of the most critical components in a story. If you can create a few characters; identify a conflict, climax, and resolution; and choose a theme, you’re well on your way to writing a short story or novel that will resonate with readers. Read More
Today’s post comes from my book 101 Creative Writing Exercises. This is from “Chapter 5: Fiction.” Let’s take a look at symbolism in fiction.
Symbols and Symbolism
In Alice and Wonderland, a white rabbit appears, and Alice follows him down the rabbit hole that leads to Wonderland. The white rabbit is a herald — a character archetype that signifies the first challenge or the call to adventure. This is the change in the main character’s life that marks the beginning of the story. Read More
If you’re going to exercise, it’s a good idea to warm up first. That way, you’ll get your body geared up to do the heavy lifting, the hard running, and the strenuous workout.
Writing’s no different.
Poetry writing exercises are ideal when you’re feeling uninspired or lazy, or maybe your poetry is getting stale and you need to take it in a fresh direction. Perhaps you’re getting ready to embark on a big, long writing project and want to warm up first.
Today’s poetry writing exercises are good starters and don’t require you to know anything about poetry or have any experience writing poems. In fact some of these exercises don’t require any poetry writing whatsoever.
Poetry Writing Exercises
These poetry writing exercises are designed to get you thinking about rhythm, language, and imagery in your writing. Let’s jump right in!
1. Alliteration and Assonance Lists
Create a list of word pairs and phrases that are built around alliteration or assonance. Remember, alliteration is when words in close proximity start with (or contain) the same consonant sound (as in pretty picture). Assonance is when words in close proximity echo vowel sounds (bent pen). Try to come up with at least ten of each. The more, the better.
Bonus exercise: Use the words from your lists to write a poem.
2. Metaphors and Similes for Life
Make a list of significant life events: birth, death, graduation, marriage, having children, starting your own business. Next, come up with one metaphor and one simile for each of these events. Remember, a metaphor is when we say one thing is another thing. A simile is when we say one thing is like another thing.
Metaphor: Life is a dance.
Simile: Life is like a box of chocolates (as a metaphor, this would be life is a box of chocolates).
Tip: Choose metaphors that are visually interesting. Metaphors for life as a dance or similes stating that life is like a box of chocolates are both easy for readers to visualize.
Bonus exercise: Write a poem about one of your life events using only the metaphor or simile you have chosen. When it’s done, your poem should be a bit ambiguous; a reader will wonder whether the poem is literally about the metaphor or metaphorically about the life event.
3. Lyrics and Musicality
Choose a catchy song that you enjoy and rewrite the lyrics, but stick to the rhythm and meter. Try to go way off topic from what the original lyrics were about. You can play the song while you work on the exercise or search for the lyrics online and use those as your baseline. The idea is to get your mind on the musicality in your writing.
Have Fun with These Poetry Writing Exercises!
These poetry writing exercises are meant to be helpful and fun. If you tried any of these exercises, feel free to share your thoughts in the comments. Did you learn anything? Did you end up writing a poem?
Do you have any poetry writing exercises to share? Leave a comment!
Are you looking for more writing exercises? Pick up a copy of 101 Creative Writing Exercises, available in paperback and ebook.
Setting is one of the most important elements in fiction writing. If your readers don’t know where the story is taking place, they’ll get lost and confused, and it will be hard for them to enjoy your tale.
Some stories have simple settings based on real places. You can use your hometown or a major city. A setting can also be completely dreamed up, which is often necessary in speculative fiction writing (Wonderland and Never Land, for example). You can keep a setting in the background, referring to it only when necessary, or you can bring it to the forefront and allow it to function as a character in your story.
Some authors go to great lengths to take the reader through a story’s setting. Just last year, I read a book in which the character drove around Los Angeles. The author took us down L.A. streets, past parks, and into real neighborhoods and establishments. It was a bit much, but I’m pretty sure if I were a resident of L.A., I would have gotten a little thrill out of the familiarity.
Today, we’ll take a deeper look at setting with a few fiction writing exercises designed to help you establish the settings in your story.
Fiction Writing Exercises: Place and Time
There are two sides to setting: place and time. If you’re writing a contemporary novel, the time in which your story is set is relatively straightforward. However, if you’re writing historical fiction, futuristic fiction, or a story that includes time travel, you’ll need to make sure readers always know what time it is.
Setting it Up
For this exercise, you will choose several settings and write short, opening descriptions that tell the reader when and where the action is taking place. Contemporary readers aren’t crazy about lengthy descriptions, so keep it simple: a couple of sentences or a short paragraph of description will suffice. Here are a few prompts to help you get started:
- A ghost town in the wild old west.
- A contemporary metropolis.
- A medieval household.
- A made-up fantasy land.
- Aboard a vessel, such as a spaceship, in the far-off future.
Setting as Backdrop: Too Much vs. Not Enough
For this exercise, you’ll write a short scene that kicks off the story and establishes the setting. Instead of presenting a snapshot of the landscape before moving into your story, you can bring readers right into the setting by combining the setting’s description with action and by using active language rather than passive:
- Instead of describing busy streets packed with shoppers, show readers that shoppers coursed through the streets like rats in a maze.
- You can bring characters into the setting: Kate craned her neck and spied a tiny patch of sky amidst the towering skyscrapers.
- In establishing time, you can simply state the date (the year was 2012) or you can place something in the setting that identifies the era: A brand new 2012 Porche sped by and Kate whirled on her heels just in time to see it disappear around the corner of Lexington.
Setting as Character
Places that have a life of their own are hugely popular. Many science fiction and fantasy stories are set in places that function as characters: the U.S.S. Enterprise from Star Trek and Pandora from Avatar are two good examples. But cities, towns, and rural landscapes can also have personality. For example, New York has been called the fifth main character in Sex and the City. Houses, vehicles, cities, planets, nations, and rooms can all have personalities of their own.
For this exercise, write a character sketch for a place. Make a list of its traits: personality, style, attitude, class, and philosophy. Is it relaxed and laid back or dark and dangerous? Does it swallow people or lift them up? Is it friendly to newcomers or is it exclusive?
If you’re inclined, go ahead and write a scene or outline to show off your setting’s personality. Remember: just because the setting is functioning as a character doesn’t mean it’s the protagonist or antagonist. It can be a minor character and still largely function as the story’s backdrop (rather than forefront). Make sure you keep the focus of the story on the plot and characters.
How Do You Approach Setting?
Some writers don’t think much about setting. They know exactly where their story takes place, and the setting emerges naturally through the writing. But sometimes, a poorly established setting is unclear or confusing. Do you pay heed to setting? Do you work it out before you start your first draft? If you know of any other great fiction writing exercises that focus on setting, be sure to share them in the comments. And keep writing!
Are you looking for more fiction writing exercises? Pick up a copy of 101 Creative Writing Exercises, available in paperback and ebook.
Today’s creative writing exercise comes from my book, 101 Creative Writing Exercises, which takes you on a adventure through various forms of creative writing: fiction, poetry, and creative nonfiction.
This exercise is called “Everyone Has an Opinion,” and it’s from “Chapter 9: Philosophy, Critical Thinking, and Problem Solving.”
Enjoy! Read More
Poetry writing exercises are an excellent way to develop writing skills, especially skills that are essential to writing compelling poetry. Writing exercises can provide us with new perspectives, techniques, and ideas that strengthen and improve poems we’ve written and poems we have yet to write.
Words are the most basic building blocks for writers, and words have meanings. Often, words have multiple meanings or layers of meanings.
Connotation refers to the often subtle nuances that exist within a word’s definition. Consider the words childish and childlike. These words are synonyms — they have the same basic meaning. But childish has a negative connotation and is often used as an insulting way to describe immature behavior, whereas childlike is often used to describe behavior that is innocent or full of awe and wonder. Both words means someone or something is like a child, but childlike implies that’s a good thing while childish indicates it’s a bad thing.
Today we’ll use connotation to unearth the potential of a poem. Using a thesaurus, we’ll find synonyms for key words in the poem, and then examine how the connotations of the synonyms change the poem’s meaning.
To get started, you’ll need a poem that you’ve written or one you’re working on. The exercise will be easier and go a lot faster if you use the poem in electronic format (such as in Microsoft Word), since you’ll need to mark it up and make copies. It’s also helpful to keep drafts and originals separate from working copies.
Here are the steps for this poetry writing exercise:
- Highlight all the adjectives, adverbs, and nouns in the poem.
- Transfer all the adjectives, adverbs, and nouns to a list.
- Look up each word in a thesaurus to find its synonyms. Using an online thesaurus will make this work go quickly and allow you to copy and paste. List the synonyms for each word. You don’t need to list all of the synonyms; pick the ones that strike you as most interesting. Look for synonyms that evoke various shades of meanings or that change the meaning of your original words.
- Now make a copy of your poem (with the highlights) and start replacing words with their synonyms. Try focusing on one line of the poem, replacing words to see how the meaning changes. Then try it with an entire verse. Save the versions you like by copying and pasting them into a new document.
- Finally, take a look at the variations you’ve come up with and form them into a new version of your poem (or maybe several versions).
When you’re done, set the poem and its variations aside for a few days and then come back with fresh eyes to answer the following questions:
- Does swapping words for their synonyms give the poem new meaning? Did you change the meaning or deepen it?
- Did you use any synonyms that retained the original meaning but changed the rhythm, flow, or sound of the poem?
- Did you use any synonyms that had multiple meanings?
- Were you able to improve your poem?
The Perfect Word
As you go through the thesaurus, you’ll soon find that some words have dozens of synonyms while others have only a few. Sometimes all the synonyms are the same in meaning, but other times, the words’ meanings will differ greatly. And you’ll find various shades of meaning that will give your poem a different flavor or emotional undertone.
Hopefully this poetry writing exercise gave you some new tools and techniques for finding the perfect words.
What strategies do you use to find the perfect word? Have you ever stopped to think about a word’s connotations? Do you find poetry writing exercises like this one helpful? Share your thoughts by leaving a comment, and keep writing.
Art Begets Art
A compelling story speaks to us much the same way music does, communicating thoughts, feelings, and ideas in ways that go beyond concrete language.
Something clicks. When you hear a song or read a story that resonates in this manner, you connect with it on a deep level. It almost feels like the author or songwriter was speaking for you, about you, or to you.
Some say that truly great art communicates directly with the subconscious. That’s why the arts coexist so naturally. Where you find a buzzing music scene, you can be sure a booming literary crowd is nearby. And where filmmakers toil with scripts and cameras, you can bet dancers aren’t too far off.
Creativity breeds creativity, and we are like magnets, drawn not just into our own passion, but those that complement and support our passions. Music, film, and art all enrich and inform one another. So do the musicians, filmmakers, artists, and of course, writers.
Fiction Writing Exercises
Some people say that everything has been written, every story told. But that’s not true. There’s always another angle, a different perspective that can be explored. And writers have all the tools they need to grab that perspective and run with it. You just need a starting point, and these fiction writing exercises can help you find it. Try starting with a song.
Before you get started, here are a couple of tips to help you work through these exercises:
- Make sure you aren’t familiar with the song’s video.
- Pick a song you like, something you can tolerate listening to several times. In fact the more you enjoy the song, the greater the chance you’ll have fun with this experiment.
- Bonus if you know the lyrics by heart.
Exercise 1: A Story for a Song
Some of the greatest stories of all time have been told through song. Remember Janis Joplin’s “Me and Bobby McGee?” John Mellencamp’s “Jack and Diane?” What about Bob Marley’s “I Shot the Sheriff?” Each of these songs tells a clear and distinct story.
Choose a song that tells a story and write the story behind it. This is kind of like traveling backward and trying to find those one thousand words that represent the value of a picture.
Exercise 2: Ambiguous Tales
On the flip side, we have ambiguous lyrics, like “Hotel California,” by the Eagles or “Losing My Religion” by R.E.M. Tunes like these have inspired lively debates that ask, what are these songs about, anyway? And if we don’t know what the songs are about, why do they succeed at speaking to us? How do they become enormous hits?
Choose a song that tells a vague story and write about what really happened. Your goal is to take a hazy story and make it clear.
Exercise 3: Who Needs Lyrics?
This is the biggest challenge of all: choose a piece of instrumental music (with no lyrics) and find the story in the melody, harmony, and rhythm.
Music and Fiction Writing Exercises
Throughout history, great artists have collaborated and mixed media to come up with fresh takes on ancient truths. These fiction writing exercises provide a new source for inspiration, get you working in collaboration with other artists (musicians), and give you creative license to put a new spin on something that’s been around for a while.
You can write a paragraph, a few pages, or an entire novel. You could also write a script for film or stage. If you’re strapped for time, just write an outline or a few character sketches. And if you don’t feel like writing it down, just work it out in your head. Find the connection between music and storytelling and let it capture your imagination.
If you have any fiction writing exercises to share, feel free to post them in the comments.
101 Creative Writing Exercises takes you on an adventure through the world of creative writing. You get to experiment with fiction, poetry, and creative nonfiction while learning useful writing techniques.
Today I’d like to share one of the exercises from the book. This is from “Chapter 3: People and Characters.” The exercise is titled “People are People,” and it offers tips and ideas for writing about people — real or imagined.
Writing About People
People and characters are among the most important elements in a piece of writing. In nonfiction, you need to treat subjects fairly, and in fiction, you need to make your characters believable.
To create the effect that a character, a made-up person, is real, a writer must have a deep understanding of people. What motivates them? What are their fears? What are their strengths and weaknesses?
Writing about real people presents its own set of challenges. If you’re writing about someone whom you adore or respect, how do you deal with their flaws, mistakes, and weaknesses? If you are writing about someone you despise, how do you treat them fairly or objectively?
When you’re telling someone else’s story, you take on a huge responsibility. Whether the people you write about are real or imagined, it’s a tough job.
Choose a real person and write a short story from that person’s life. This piece will be nonfiction, written in third person. Your mission is to tell a story rather than write a biographical piece. Use the prompts below if you need ideas:
- Some relationships are complicated: siblings who don’t speak to each other, couples who sleep in separate rooms, exes who still come to holiday dinners.
- Choose a celebrity or historical figure to write about. It can be someone living or dead. Do a little research about the person and then write a short piece telling a part of his or her story.
- There’s always a bad apple in the barrel: the bully on the playground, the snitch in the office, and the drama queen who stirs up trouble at every opportunity. They have stories, too!
- Authority figures: parents, bosses, and government officials. You know them; they’re in charge of the world. What’s their story?
- Bonus: for this prompt, you get to mix in a little fiction. Everybody loves a mysterious stranger. The cute barista. The handsome doctor. The eccentric woman who sits on the park bench every Thursday afternoon. Think of an interesting stranger you’ve seen around and concoct his or her story.
Tips: To add realism to your story, use dialogue, mannerisms, and gestures. Don’t spend too much time on physical descriptions; a few, choice details will suffice. Focus on revealing the inner conflict and struggles of your subjects through their words and actions.
Variations: Instead of writing a nonfiction piece, write fiction, but use a real person as inspiration for your main character.
Applications: If you can tell a good story about someone, you can probably get it published, whether it’s fiction or not.
In his book, Save the Cat, Blake Snyder recommends writing a logline for your story before you tackle the first draft. Today we’re going to apply this concept with fiction writing exercises that force you to dig into your story and unearth its core, so you can find out what it’s really about and whether it’s a compelling concept.
A logline is a one- or two-sentence description of your story, similar to an elevator pitch. The idea is to write a logline that inspires interest in your story. Because loglines are primarily used to market books and movies, it may seem like you should write your logline after your book is completed. However, writing your logline in advance has several benefits.
Through the process of fine-tuning and polishing the logline for a story you’re working on, you will pare the story down to its core by identifying what makes it interesting and why people should want to read it. Since you only have one or two sentences to work within, you end up with a crystallized description of your story.
While your logline can be used later for marketing, you can also use it during story development to tweak your story and improve it, since you may find flaws in your ideas while crafting the logline. You can also use your logline to test your story idea on other people to see if you can drum up any interest. If nobody’s biting, maybe it’s time to go back to the drawing board. Finally, a logline identifies the heart of the story and can help you stay focused so your story doesn’t stray too far from the main plot.
Examples of Loglines
Before starting, be sure to read through some successful loglines to get a sense of what works. The examples below came from the Internet Movie Database (IMDB):
- Titanic (1997): A seventeen-year-old aristocrat falls in love with a kind, but poor artist aboard the luxurious, ill-fated R.M.S. Titanic.
- The Avengers (2012): Earth’s mightiest heroes must come together and learn to fight as a team if they are to stop the mischievous Loki and his alien army from enslaving humanity.
- Trainwreck (2015): Having thought that monogamy was never possible, a commitment-phobic career woman may have to face her fears when she meets a good guy.
What do these loglines have in common? Each one tells you who the story is about (the protagonist), what they’re up against (the antagonist), and offers a hook, something that makes it interesting.
Fiction Writing Exercises: Logline Pre-Production
Ideally you’ll develop your logline between brainstorming and outlining (or writing the first draft). You can, of course, craft a logline after you’ve written a draft, but if you do it in advance, it may help you pinpoint story problems that you could have otherwise avoided, and this will mean fewer revisions. Choose a story idea you’ve been working on, or work with a draft or manuscript that’s in progress. You can also do it with a finished book.
To get started, identify some key elements of your story:
- Find a descriptive noun for your protagonist. This should not be a broad noun like person, woman, or boy. It should offer the clearest and most concise description of your protagonist in relation to the main plot. Note the strongest nouns in the loglines above (aristocrat and artist).
- Choose an adjective for your protagonist. Your protagonist is probably a complex character, but choosing just one adjective forces you to focus on the character’s trait that is most relevant to the plot. Surely the protagonist in Trainwreck could be described with lots of adjectives, but in a plot about monogamy, the fact that she’s commitment-phobic is what makes this story interesting.
- Find the hook: Something about your story should raise an eyebrow and garner interest. A rich girl falling in love with a poor boy (Titanic) is ironic and therefore compelling. Build the hook around the central conflict and the protagonist’s inner struggle.
- Identify the antagonist: We like to think of antagonists as classic villains (like Lokie in The Avengers). But in Trainwreck, the antagonist is fear. The antagonist is whatever is stopping the protagonist from achieving his or her goal. It can be a person, but it doesn’t have to be.
- If the antagonist is a character, find a descriptive noun and an adjective for them as you did for the protagonist.
As you work through this process, you may discover things about your story that you hadn’t noticed before. Maybe you’ll find that you have made a clever connection between your characters and the hook. Or maybe you’ll realize that your protagonist is ill-suited for the plot you’ve got in mind. Maybe your story is missing a hook or the premise is vague. Keep working at these elements until they are clear, and then you can start crafting them into a cohesive logline.
Crafting the Logline
Now that you have all the elements for your logline, you can do what writers do, which is form them into sentences. If you can connect these elements in a single sentence, do it, but don’t exceed two sentences. Aim for good, strong writing; in other words, don’t cheat by writing super long run-on sentences in order to squeeze in a bunch of unnecessary details about your story. Stick with the highlights!
When you’re done, shop your logline around to a few friends (especially avid readers and fellow writers) and ask for their honest opinions. Use their feedback to further polish your logline and fine-tune your story.
Tips and Variations
- Visit IMDB and read through the loglines for some of your favorite movies. Do the loglines do the movies justice? Could you write a better one?
- Instead of writing a logline for a story you’re working on, make a list of loglines (or jot them down on note cards), and add to it regularly. This is your new story idea warehouse, and you can turn to it whenever you need a new project.
- Try writing loglines with your writing group. This is a great way to get quick feedback on your story ideas.
Have you ever written a logline for a story? Do you write your logline before or after you draft the manuscript? Did you find this helpful as a fiction writing exercise? Share your thoughts by leaving a comment, and keep writing.