Today’s post includes excerpts from What’s the Story? Building Blocks for Fiction Writing, chapter nine: “Chapters, Scenes, and Sequences.” Enjoy!
Chapters, scenes, and sequences are structural units of storytelling. These are the basic blocks of a story that contain all other elements, from characters, plot, and setting to action, dialogue, and description. Read More
Today’s post includes excerpts from What’s the Story? Building Blocks for Fiction Writing, chapter eight: “Description and Exposition.” Enjoy!
Without description, readers wouldn’t be able to visualize what’s happening in a story. We need to see the setting and the characters. Because there are no visuals in prose, writers must use words to describe a story’s visual elements in a way that helps readers see the story playing out in their minds. Read More
Today’s post is an excerpt from What’s the Story? Building Blocks for Fiction Writing, chapter seven: “Action and Dialogue.” Enjoy!
Action and dialogue are the wheels that carry a story forward. The easiest way to imagine action and dialogue in written narrative is to think of a movie. When characters onscreen do things, that’s action. When they talk, that’s dialogue. Most of a story’s momentum is contained in action and dialogue.
You may have heard the old writing adage, “show, don’t tell.” It’s one of those sayings that becomes blatantly obvious once you get it. Readers want to see what’s happening. Characters walk and talk. They kick and punch and scratch. They cry and laugh, run and hide. They do things and say things. That’s how story happens: through action and dialogue. Read More
Today’s post includes excerpts from What’s the Story? Building Blocks for Fiction Writing, chapter six: “Narrative Point of View.” Enjoy!
The terms story and narrative can be used interchangeably, meaning a sequence of events, real or fictional, that are conveyed through any medium ranging from prose to film. However, when we talk about narrative, we’re often referring to the structural nature or presentation of a story, the manner in which it’s told. Read More
Today’s post includes excerpts from What’s the Story? Building Blocks for Fiction Writing, chapter five: “Narrative Style, Voice, and Tone.” Enjoy!
Literary style is the aesthetic quality of a work of literature—the distinct voice that makes each author unique. It’s the way we string words together, the rhythm of our prose, the catchphrases that pepper our language.
Literary style includes every element of writing in which an author can make stylistic choices from syntax and grammar to character and plot development. Read More
Today’s post includes excerpts from What’s the Story? Building Blocks for Fiction Writing, chapter four: “Theme.” Enjoy!
What is the Theme of a Story?
Theme is one of the most difficult story elements to understand. Often confused with plot, theme is actually a worldview, philosophy, message, moral, ethical question, or lesson. However, these labels, taken alone or together, don’t quite explain theme in fiction. Read More
Today’s post includes excerpts from What’s the Story? Building Blocks for Fiction Writing, chapter three: “Setting.” Enjoy!
Setting may not seem as critical to a story as character or plot, yet it is a core element of storytelling and for good reason. The setting of a story helps us understand where and when it takes place, which gives the story context. If the audience doesn’t have a sense of setting, they’ll feel lost and confused (sometimes that might be the author’s intent).
The Setting of a Story
A setting can be big or small. It can be a made-up world—a massive galaxy with multiple star systems and inhabited planets—or it can be a single room—four walls and a ceiling. Read More
Today’s post includes excerpts from What’s the Story? Building Blocks for Fiction Writing, chapter two: “Plot.” Enjoy!
What is a Plot?
A plot is a sequence of related events in a story.
Plot usually centers around the protagonist’s primary goal or challenge, the central story problem. Each event in the story pushes the protagonist toward a climax where they either succeed or fail to resolve the story problem. In a mystery, the challenge might be to solve a crime. In a romance, the goal is to find true love. Read More
Today’s post is an excerpt from the book What’s the Story? Building Blocks for Fiction Writing. This is from chapter one, “Characters.” Enjoy!
We see ourselves in a story’s characters. We see people we know—people we love, people we hate, people we fear, and people we want to emulate.
We love characters, loathe them, judge them, take their sides, or stand in opposition to them. We cheer them on and boo them. We celebrate them, and sometimes we mourn them. We form relationships with them, even though they’re just figments of some storyteller’s imagination.
Characters are the heart and soul of a story. We care about a story only to the extent that we care about its characters. In order for us to connect with characters, they need to do more than move the plot forward. Characters require depth and complexity. Who are these characters? What do they want? Why do they want it? What’s standing in their way? Realistic characters come with all the flaws, quirks, and baggage that real people possess. They’re not just names on a page; they have pasts and personalities, and each one is unique. Read More
Writing a novel is no small task. In fact, it’s a momentous task. Some writers spend years just eking out a first draft, followed by years of revisions. And that’s before they even think about the grueling publishing process.
In other words, you’re going to spend a lot of time with your novel. So you better love it. No, wait — loving it is not enough. You have to be in love with it. You have to be obsessed with it.
And obsessions cannot be forced. It’s normal to lose interest when you’re on your tenth revision, but if you’re losing interest in your plot or characters while writing your first or second draft, the problem may not be you or your novel. The problem may be that you tried to commit to something you didn’t love. That’s never a good idea.
For many writers, the trick to sticking with a novel is actually quite simple: find an idea that grips you.
Get in Touch with Your Passions
Before you chase every crazy idea into the ground, stop and take a breath. Think about what moves you: books you couldn’t put down, movies you’ve watched dozens of times, TV shows you couldn’t stop talking about, and songs you played so many times, you’re sure they have bonded with your DNA.
By identifying your passions, you can figure out what makes you tick, and that’s a great start to your quest for novel writing ideas that you can really sink your teeth into.
All your past and present obsessions hold the clues to your future obsession with your own novel. Pay close attention to your preferences for genre, theme, setting, style, character archetypes and above all — emotional sensibility. Make lists of what you love about your favorite stories and soon, you’ll see the shape of your own novel start to emerge.
Generate and Gather Plenty of Novel Writing Ideas
Once you’ve made some general decisions about the novel you’re going to write, it’s time to start generating specific ideas.
Of course, the best novel writing ideas come out of nowhere. You’re on your hands and knees scrubbing the floor and suddenly that big magic bulb over your head lights up. Or maybe you have so many ideas, you don’t know where to start. It’s even possible that you’re aching to write a novel but are fresh out of ideas. Your mind feels like a gaping void.
Actually, story ideas are everywhere. The trick is to collect a variety of ideas, and let them stew while you decide which one is worth the effort. Here are some quick tips for generating ideas:
- Hit the bookstore or library and jot down some of your favorite plot synopses. Then, rework the details to take these old plots and turn them into new ideas. Try combining different elements from your favorite stories. And use movie synopses too!
- Load up on fiction writing prompts and develop each prompt into a short (one-paragraph) summary for a story.
- Harvest some creative writing ideas from the news.
Create a stash file for your ideas. It can be a folder on your computer or a box you fill with 3×5 note cards. You can also write all these ideas in a notebook. Just make sure you keep them together so you can easily go through them.
Let Your Novel Writing Ideas Marinate
Some ideas are so enticing, you can’t wait to get started. If you’re writing a poem or a piece of flash fiction, then have at it. If things don’t work out, you’ll lose a few hours or maybe a few weeks. But imagine investing years in a novel only to realize your heart’s not in it. Try to avoid doing that by letting ideas sit for a while before you dive into them.
The best ideas rise to the top. These are not necessarily the best-selling ideas or the most original ideas. They’re the ideas that are best for you. Those are the ones that will haunt you, keep you up at night, and provoke perpetual daydreams.
These are the ones worth experimenting with.
Experiment to See Which Novel Writing Ideas Can Fly
There’s a reason people test drive cars and lie around on the beds in mattress shops. When you make a big investment, you want to feel right about it. You can’t know how a car will drive until you actually drive it. And you can’t know how a bed will feel until you relax on it for a while. And you definitely can’t know what your relationship with your novel will be like until you experiment with it.
In truth, the experimental phase is when you start writing the novel — just like the test drive is when you start driving the car. But you haven’t committed yet. You’re still open to the idea that this is not for you. This might seem like I’m nitpicking over semantics, but you’ll find that discarding partially written novels wears on you after a while. If you play around with your story with the understanding that you’re experimenting, and if things don’t work out, you can always walk away without feeling guilty or like you gave up. Go back to your idea stash, and start tooling around with the next one.
How do you experiment with novel writing? I’m so glad you asked. There’s a lot you can do. Start by brainstorming. Sketch a few characters. Poke around and see what kind of research this novel might require. Draft a few scenes. Write an outline. If you keep going through these motions and can’t shake your excitement, then you are finally . . .
Writing Your Novel
At this point, you’ve already started writing your novel. But suddenly, you’re not just writing a novel. You’re deeply, passionately, obsessively writing your novel. If a couple of weeks go by and you haven’t had time to write, you miss your characters. When you get stuck on a scene, you simply work on some other part of the story because you’re so obsessed. You have to fight the urge to tell everyone about how the story is coming along. Your trusted buddy, whom you bounce ideas off of, is starting to think you’re taking it all too seriously. “Maybe you should watch some television a couple nights a week,” he says, looking concerned.
This is a story that’s captured your full attention. And that’s a good sign that it will capture the attention of readers.
Many (or most) of your novel writing ideas might end up in the trash or in a bottom drawer. But every one of them will be worth it when all of that idea generating, planning, and experimenting finally pays off. Every idea that doesn’t work will pave the path to the idea that will set you on fire.
So no matter what, no matter how many ideas come and go, no matter how many drafts you discard, never give up. Just keep writing!