Do you ever feel like the story you’re writing is bland? Like it needs to be spiced up? Or maybe you want to write a story but you’re fresh out of ideas. Perhaps you need to practice storytelling?
Fiction writing exercises are perfect for toning your storytelling muscles. They can also provide you with a wealth of ideas for writing projects.
Today’s fiction writing exercises are designed to stimulate creativity and get you thinking about story from fresh angles.
Stimulate Your Creativity with These Fiction Writing Exercises
Below, you’ll find a list of simple scenarios. Each one could form the basis for a story. Your job is to come up with three story premises for each scenario. Be creative and try to avoid the most obvious premises.
Let’s use the following scenario as an example:
While hiking alone in the woods, a character comes face to face with a bear.
The obvious premise might show the hiker getting attacked by the bear or dropping and rolling to avoid getting attacked by the bear, but how could you put an unexpected twist on this scenario? Maybe the bear and the hiker strike up a conversation (fantasy or children’s literature). Maybe the bear is sick and weak, so the hiker decides to nurse it back to health. Maybe the bear isn’t a bear at all. Could it be someone in a bear suit?
For each scenario below, come up with three different premises that could be used to build a story. Try to stretch your story premises across a range of genres, including literary fiction, mystery, thriller, suspense, science fiction, fantasy, paranormal, horror, romance, historical, humor, satire, children’s, and young adult.
- A cruise ship gets caught in a storm, veers off course, and then sinks far from the mainland, but many of the passengers survive and make it to a deserted island.
- A man and a woman are sitting across from each other at a small table in a dimly lit restaurant.
- A family watches as their cat gives birth to a litter of nine kittens.
- Moments after arriving home from a long and difficult day at work, a character is shocked when the police show up with an arrest warrant.
- In a mid-sized town, somebody is dressing in disguise and fighting crime–a real-life superhero or a masked vigilante?
Feel free to change these scenarios or mix them up. Maybe instead of a cat having kittens, the family’s dog is having puppies. Maybe the character who is served with an arrest warrant is either the man or woman who was dining in the dimly lit restaurant.
If you try any of these fiction writing exercises, come back and tell us how they worked for you.
When we writers discuss fiction, we usually focus on plot, setting, dialogue, and especially characters. These, of course, are the essential elements of decent storytelling. But what we often forget to address is the prose.
The words we choose to depict action, express characters’ thoughts, and render their dialogue is another important, albeit often overlooked, element of writing–and that’s true of any form of writing, including storytelling.
Language can raise a story to new heights or it can make a story sink. If readers are struggling to understand words and phrases or if they’re constantly distracted by unnecessary words and repetition, the story will take a backseat to the poorly constructed prose, and you’ll risk losing the readers.
No matter how compelling your story is, if you can’t convey it through well crafted prose, it will get lost in the slush pile and end up in the discount bin. Today’s fiction writing exercises encourage you to set story aside and focus instead on the language, which is at the very heart of the craft of writing.
Fiction Writing Exercises: Practice in Prose
These fiction writing exercises encourage you to dig into the marrow of your writing–the language. You’ll need a few pieces of your own writing; they can be drafts or polished pieces. Choose one exercise below or tackle all of them.
Exercise One: Modifier Madness
Start with a short story or a scene you’ve completed. Use about five pages of narrative. Go through the piece and highlight all adjectives and adverbs. Now read it back without those modifiers. Did it lose meaning? Did some sentences gain strength because they weren’t weighed down with unnecessary detail? Look for adjective-noun and adverb-verb combinations that you can replace with more vivid nouns and verbs. For example, running quickly becomes sprinting. If you’re struggling to replace words that aren’t working, use the thesaurus.
Exercise Two: Dialogue Diversions
Find a dialogue scene in a story you’ve written. Make a copy of the scene and strip away the action and description, leaving only the dialogue. Use a different color of highlighting for each character’s dialogue so you can easily distinguish them from each other (for example, yellow for character A, green for character B, etc.).
- Read one character’s dialogue aloud, skipping the other characters’ lines. Is the character’s manner of speech consistent? Does the character use any dialect or catch phrases that make his or her speech patterns distinguishable? Is the dialogue peppered with filler words like um and well? Does it sound like natural speech? Does it reflect the character’s background, education, and social status?
- Read all of the characters’ dialogue aloud (better yet, get a friend to help so each of you can read different characters’ lines). Is each character’s dialogue distinct from the other characters? Does the conversation flow? Does it stay on topic or go off on tangents? Do the characters refer to each by name too often (people don’t usually refer to each other by name in real life)?
Exercise Three: Rhythm and Pacing
Pull one to three pages of narrative from a story that’s in progress or completed. Make a copy of it and format it with double line spacing so you have plenty of room to work between the lines. Print it out. Now go through and count the words in each sentence and make a note of the word count at the beginning of each sentence. Then go through and count the syllables in each sentence and make a note of the syllable count at the end of each sentence. Use different color pens for word count and syllable count or use highlighters so you can easily tell the difference.
Do you tend to write short or long sentences? Do your sentences vary in length or does the rhythm drone in a repetitive manner? Could you link two short sentences together to make a single, longer sentence? Can you break up any long sentences into two or more shorter sentences?
Did these fiction writing exercises help you view your prose in a new light? Which exercise did you tackle? Do you have any tips for crafting compelling prose? Share your thoughts by leaving a comment.
These fiction writing exercises are designed to help fiction writers gain a better understanding of their characters, including antagonists, by learning how to relate to contradictory or opposing viewpoints.
Remember, an antagonist is not necessarily a villain. An antagonist is anyone whose purpose is at odds with the protagonist’s goals.
In addition to antagonists, we should be writing characters who are unique and complex, not characters who are all cardboard cutouts of ourselves. That means we have to get into the heads of people who are strikingly different from ourselves.
These fiction writing exercises will help you do just that. The idea is to try and view the world from a perspective that is completely different from your own and to get inside the head of someone who is not like you.
Fiction Writing Exercises
Fiction writing exercises are a great way to work your writing muscles, especially when you’re feeling uninspired. Like all good fiction writing exercises, these are great for aspiring novelists and folks who enjoy penning short stories. Characters are the heart and soul of any story, and to make them real and vivid, you have to be able to get inside their heads. And that’s a challenge–especially when dealing with antagonists and characters whom you have little in common with.
By stepping into a villain’s shoes or writing from a viewpoint that contradicts our own, we can learn to generate characters that are more realistic. For these writing exercises, you will select a person, position, or belief with which you are at odds. Do you have a neighbor who argues that he should not pay his share for the fencing on your shared property line? Are you for or against the death penalty? What’s it like to be the villain?
Here are some ideas to get you started:
Think of a person who constantly makes you grit your teeth. It could be someone close to you, perhaps a relative. Or it could be someone in the media–a politician, celebrity, or sports star. It could even be a character from a book or movie. It needs to be someone with whom you feel inner conflict and who possibly makes you uncomfortable.
When you sit down to write, you will write as if you are this individual. Write an essay, in first person, from this individual’s perspective, and make a concentrated effort to address those things that bother you.
Many of us have very strong positions on various issues. Some are serious and others aren’t very important in the grand scheme of things. Do you eat meat or are you a vegetarian? Are you a conservative or a liberal? Do you support stem cell research? Are you for or against the war? Look at some of the top news stories this week for more ideas. For a more lighthearted approach, look to lifestyle differences. Do people outside the mainstream intrigue or offend you? How important are table manners? Mac or PC?
Whatever your personal stance is, write as if you held the opposite position. Argue against your own arguments and discover what the other side is thinking. This can build empathy and lead to discovery and insight.
What religion or philosophy do you adhere to? Chances are, whatever it is you believe with regard to ethics and spirituality, there are a whole bunch of people out there who see things in quite a different light. Are you an atheist? Write as a Catholic. Do you believe in evolution or intelligent design? Write as an agnostic.
Use this exercise to better understand the similarities and differences between contrary ways of thinking and believing.
Tips for Tackling These Fiction Writing Exercises
In tackling these exercises, write at least 1000 words. The piece can take the form of a letter, an opinion editorial, or personal essay written in the voice of a character who significantly different from you. Don’t be afraid to get creative! Try writing a monologue or a poem (great approach if you’ve chosen to write about beliefs).
This is a great writing exercise to revisit, especially if you get stuck with one of your fictional characters. Can’t figure out what your villain would do next? Write a short piece in first person point of view from your villain’s perspective.
Remember, you’re not mimicking the character, you are stepping into his or her head. Try to relate to the way the character thinks and feels, and remember that each of us is shaped by our life experiences.
Good luck and have fun with these and other fiction writing exercises!
If you have any fiction writing exercises to share, feel free to post them in the comments.
Are you looking for more fiction writing exercises? Pick up a copy of 101 Creative Writing Exercises, available in paperback and ebook.