Today’s fiction writing exercises are designed to help fiction writers gain a better understanding of their characters, including antagonists, by learning how to relate to contradictory or opposing viewpoints.
Remember, an antagonist is not necessarily a villain. An antagonist is anyone whose purpose is at odds with the protagonist’s goals.
The most effective characters are unique and complex, not cardboard cutouts of ourselves. That means we have to get into the heads of people who are strikingly different from us.
These fiction writing exercises will help you do just that. The idea is to try and view the world from a perspective that is completely different from your own. Read more
Today’s post is an excerpt from What’s the Story? Building Blocks for Fiction Writing, chapter seven: “Action and Dialogue.” Enjoy!
Action and dialogue are the wheels that carry a story forward. The easiest way to imagine action and dialogue in written narrative is to think of a movie. When characters onscreen do things, that’s action. When they talk, that’s dialogue. Most of a story’s momentum is contained in action and dialogue.
You may have heard the old writing adage, “show, don’t tell.” It’s one of those sayings that becomes blatantly obvious once you get it. Readers want to see what’s happening. Characters walk and talk. They kick and punch and scratch. They cry and laugh, run and hide. They do things and say things. That’s how story happens: through action and dialogue. Read more
Today’s post includes excerpts from What’s the Story? Building Blocks for Fiction Writing, chapter six: “Narrative Point of View.” Enjoy!
The terms story and narrative can be used interchangeably, meaning a sequence of events, real or fictional, that are conveyed through any medium ranging from prose to film. However, when we talk about narrative, we’re often referring to the structural nature or presentation of a story, the manner in which it’s told. Read more
Today’s post includes excerpts from What’s the Story? Building Blocks for Fiction Writing, chapter five: “Narrative Style, Voice, and Tone.” Enjoy!
Literary style is the aesthetic quality of a work of literature—the distinct voice that makes each author unique. It’s the way we string words together, the rhythm of our prose, the catchphrases that pepper our language.
Literary style includes every element of writing in which an author can make stylistic choices from syntax and grammar to character and plot development. Read more
Today’s post includes excerpts from What’s the Story? Building Blocks for Fiction Writing, chapter four: “Theme.” Enjoy!
What is the Theme of a Story?
Theme is one of the most difficult story elements to understand. Often confused with plot, theme is actually a worldview, philosophy, message, moral, ethical question, or lesson. However, these labels, taken alone or together, don’t quite explain theme in fiction. Read more
Most authors agree that fiction is primarily driven by characters. Successful authors talk about characters who take over the story, who have their own separate and independent consciousnesses. Outlines and plans for plot go out the window as characters insist on moving the story in a direction of their own design.
Because characters are central to most stories and because their primary function is to explore the human condition, it’s essential for characters to be believable. In other words, characters may not be real, but they most certainly should feel real. Read more
Today’s post includes excerpts from What’s the Story? Building Blocks for Fiction Writing, chapter three: “Setting.” Enjoy!
Setting may not seem as critical to a story as character or plot, yet it is a core element of storytelling and for good reason. The setting of a story helps us understand where and when it takes place, which gives the story context. If the audience doesn’t have a sense of setting, they’ll feel lost and confused (sometimes that might be the author’s intent).
The Setting of a Story
A setting can be big or small. It can be a made-up world—a massive galaxy with multiple star systems and inhabited planets—or it can be a single room—four walls and a ceiling. Read more
Today’s post includes excerpts from What’s the Story? Building Blocks for Fiction Writing, chapter two: “Plot.” Enjoy!
What is a Plot?
A plot is a sequence of related events in a story.
Plot usually centers around the protagonist’s primary goal or challenge, the central story problem. Each event in the story pushes the protagonist toward a climax where they either succeed or fail to resolve the story problem. In a mystery, the challenge might be to solve a crime. In a romance, the goal is to find true love. Read more
Fiction writing exercises can help you discover storytelling techniques and provide ideas and inspiration for your fiction writing projects.
These exercises provide practice and experience for young or new writers. For more experienced writers, these exercises offer inspiration and can help you see a story from a fresh perspective.
Today’s fiction writing exercises are carefully chosen to help you develop some of the most critical components in a story. If you can create a few characters; identify a conflict, climax, and resolution; and choose a theme, you’re well on your way to writing a short story or novel that will resonate with readers. Read more
Today’s post is an excerpt from the book What’s the Story? Building Blocks for Fiction Writing. This is from chapter one, “Characters.” Enjoy!
We see ourselves in a story’s characters. We see people we know—people we love, people we hate, people we fear, and people we want to emulate.
We love characters, loathe them, judge them, take their sides, or stand in opposition to them. We cheer them on and boo them. We celebrate them, and sometimes we mourn them. We form relationships with them, even though they’re just figments of some storyteller’s imagination.
Characters are the heart and soul of a story. We care about a story only to the extent that we care about its characters. In order for us to connect with characters, they need to do more than move the plot forward. Characters require depth and complexity. Who are these characters? What do they want? Why do they want it? What’s standing in their way? Realistic characters come with all the flaws, quirks, and baggage that real people possess. They’re not just names on a page; they have pasts and personalities, and each one is unique. Read more