Good fiction is comprised of many different elements: believable characters, realistic dialogue, and compelling plots. Every decent story has a beginning, middle, and end. Intriguing tales are built around conflict and are rich with themes and symbols. And those are just the basics.
It can be pretty overwhelming.
Fiction writing is hard work. It requires a complex and diverse set of skills. Stringing words together into sentences only scratches the surface of what goes into good fiction writing. Fiction that is truly worthwhile is layered with meaning. It’s made up of an infinite number of tiny parts. Most importantly, it has a sense of truth and realism that the real world often lacks.
Mark Twain said, “Truth is stranger than fiction, but it is because fiction is obliged to stick to possibilities; truth isn’t.” Ralph Waldo Emerson said, “Fiction reveals truth that reality obscures.” And Stephen King said, “Fiction is the truth inside the lie.”
In other words, fiction, at its best, feels truer than reality. Great writers make it look easy, but writing that kind of fiction, the kind that’s worth reading, is nothing short of magic. Read more
We writers can’t be inspired every day.
Sometimes we get burned out. Other times, we have ideas but they just don’t seem appealing at the moment when we sit down to write. Sometimes we need to take a break from a writing project and spend a little time on shorter projects, which can recharge our creativity. Other times, we’re just stuck in a writing slump.
That’s when keeping a little stockpile of writing ideas and inspiration inspiration is a good idea.
The Pocket Muse
I received my copy of The Pocket Muse as a gift a few years ago. Unfortunately, it sat on my bookshelf for far too long. But recently, I cracked it open and started perusing it. And I found it absolutely delightful. Read more
Elvis is the king of rock and roll. Michael Jackson is the king of pop. And Stephen King is the king of horror.
He is one of the most successful authors in the world, the recipient of numerous honorable awards, and certainly one of the wealthiest and most recognizable writers alive.
While I’m not all that crazy about horror stories, I do appreciate the creativity and artistic merit that goes into writing good horror fiction. Maybe the fact that I’m bonkers over sci-fi and fantasy will redeem me. Maybe Stephen King will forgive me.
I have read a few of King’s books and enjoyed them, mostly those that fall just outside of horror: The Stand, Hearts in Atlantis, and The Gunslinger. I loved the movie Stand by Me based on his short story “The Body” and the film adaptations of The Green Mile and Misery.
According to Wikipedia: “King has published fifty novels, including seven under the pen name Richard Bachman, and five non-fiction books. He has written nearly two hundred short stories, most of which have been collected in nine collections of short fiction.”
I have great respect for Stephen King. I may not love horror stories, but I do love good writing and excellent storytelling. With all his experience, success, talent, and craftsmanship, I can’t think of a better mentor for writers than Stephen King. Read more
Some academics argue that poetry is an intellectual pursuit, but that’s only partially true. Poetry is also artistic and emotional. Anyone can enjoy poetry, but studying it closely will help you better appreciate its nuances.
Learning various poetry writing techniques and literary devices (which are often taught in the context of poetry) can bring your writing to a more sophisticated level.
Whether you write fiction, memoirs, or blog posts, reading and writing poetry will equip you with language skills that make your writing stronger, more vivid, and more compelling. Read more
This is one of my favorite writing resources of all time. It is subtitled “An Introduction to Poetry,” but it’s full of concepts that can benefit any form of writing.
Whether you write fiction, articles, essays, or blog posts, Perrine’s Sound and Sense will enhance the way you perceive and use language to communicate an idea, a scene, or information.
After all, language is a writer’s medium. How do we choose words and string them together? What makes one sentence so vivid while another is practically impossible to visualize? How can we play with the meaning of words in a way that is meaningful? How do we craft prose that is musical?
These, of course, are questions that poetry actively asks and explores. Storytellers spend a lot of time on plot and character. Article writers spend a lot of time on research. Bloggers spend a lot of time under the hood. Poets live and breathe in language.
And language — or rather, a writer’s use of it — is what elevates a piece of ordinary prose to something regal. Through a light study of poetry, you will expand your vocabulary, learn simple techniques to make images out of words, and understand the deeper secrets of language — secrets that make your writing extraordinary.
Perrine’s Sound and Sense
This book is a delightful and comprehensive romp through the intricacies of poetry and language. It’s a perfect introduction to poetry because it’s liberally populated with fantastic poems that will satisfy a range of personal tastes and preferences, making it a veritable anthology that teaches concepts alongside each poem (or that uses poems to beautifully illustrate and illuminate various concepts).
Sound and Sense starts with the basics. The first two chapters are respectively titled “What is Poetry?” and “Reading a Poem.” If you’ve ever wondered what all the fuss was about poetry and why so many successful writers advocate poetry, these chapters will show you the light, both through their discussion of poetry and presentation of poems.
Later chapters deal with increasingly complex concepts. These concepts are taught in the context of how they are applied to poetry but they are applicable to any kind of writing. The chapter on “Denotation and Connotation” explains how we choose words based on their meaning, particularly when we can choose between two (or more) words with the same meaning:
The words childlike and childish both mean “characteristic of a child,” but childlike suggests meekness, innocence, and wide-eyed wonder, while childish suggests pettiness, willfulness, and temper tantrums. (p. 41)
We’ve all heard that imagery is critical to our writing, but many writers don’t quite understand what show, don’t tell actually means. Master writers refer to similes, metaphors, symbols, and allegories, all effective literary devices in any form. Sound and Sense helps you understand the importance of these devices, shows you how to identify them in a piece of writing, and therefore gives you the knowledge you need to apply those devices in your own work.
The insight doesn’t stop with meaning and literary devices. The book goes on to explore tone and dedicates a significant portion of its final chapters to musicality with chapters such as “Musical Devices,” Rhythm and Meter,” and “Sound and Meaning.”
Everything that we do naturally and gracefully we do rhythmically. There is rhythm in the way we walk, the way we swim, the way we ride a horse, the way we swing a golf club or a baseball bat. So native is rhythm to us that we read it, when we can, into the mechanical world around us. Our clocks go tick-tick-tick but we hear tick-tock, tick-tock. (p. 187)
So if you’ve ever wondered how to make your writing sing and dance, if you’ve ever gotten a phrase stuck in your head and wondered what made it so catchy and then wondered how you could craft writing that is just as memorable, this book is for you.
Sound and Sense features tons of wonderful poems by some of the best known and loved poets of all time, including Maya Angelou, Emily Dickinson, Robert Frost, Langston Hughes, Andrew Marvell, Sylvia Plath, Edgar Allen Poe, Anne Sexton, Shakespeare, and far too many others to list here.
And it’s all capped off with a handy glossary and comprehensive index, which makes revisiting its contents quick and easy. I’m telling you, this is a resourceful little book!
This gem of a book doubles as an anthology of poetry and is useful for both readers and writers of poetry. But writers of all forms will reap great benefits by investing in this book.
Mostly used as a college textbook, it’s loaded with treasures packed in a dense landscape of writing concepts, some of which are practical and others that are whimsical, plus a bunch of writing concepts that are just plain magical.
Sound and Sense will transform the way you think about writing and will improve your writing at the levels of words and sentences, sounds and phrases. Want to make readers hungry? Want to make them think and feel and swoon and dance? Then get this book, because it shows you how to do just that.
Got any writing resources that you’d like to recommend? Do you find that studying one form helps you improve another? Share your thoughts by leaving a comment. And keep on writing!
As a writer, it’s only natural that I pay attention to the mechanics of my craft, which is why I’m always on the lookout for new and useful writing resources.
Back in 2007, when I discovered the Grammar Girl podcast, my interest in grammar piqued, and I started writing more consciously than ever before. Sure, I still break the rules of grammar now and then. That’s what creative writing is all about, right?
But if you don’t know the rules, then you shouldn’t break them — otherwise your writing will come off as amateurish. Good news: Grammar Girl has a few resources that will fine tune your grammar skills quickly and easily while rounding out your own collection of writing resources.
Grammar Girl provides short, useful tips on grammar that are easy to remember and easy to put into practice. Her tips are available in audio format as a podcast, in text format on her blog, and as a full-length, comprehensive book that is informative and fun to read.
Her podcast has received much critical acclaim. In fact, Grammar Girl has had appearances and mentions on The Oprah Winfrey Show, The New York Times, and USA Today, to name a few. In fact, Grammar Girl is highly credited with sparking a fresh interest in grammar throughout our culture.
Listen and Learn
Each episode of Grammar Girl is available in both audio and text format. You can subscribe to the podcast through iTunes (launch iTunes and search for “Grammar Girl”) or you can access the audio and text versions through her RSS feed. New installments are produced each week and each one lasts about five minutes or less. You’ll gain a wealth of information in that small amount of time. No matter how acute your grammar skills are, they’ll become even sharper! Visit Grammar Girl’s website for more details.
Buy the Book
Grammar Girl’s expertise is also available in a full-length book, which is available in paperback and for the Kindle. Grammar Girl’s Quick and Dirty Tips for Better Writing impressed me because it’s a resource book that you can read. A lot of grammar and style guides are designed to be reference books. You crack them open when you need to look up something specific. Grammar Girl’s book reads comfortably from cover to cover. She has a casual and friendly voice and the book is packed with fun tips and mnemonic devices to help you remember the rules.
Another thing I love about the book is that it’s for general usage. Grammar Girl lets you know when something is a rule and when it’s a style issue. She also provides her own style preferences and supports them with logical reasons. I found her positions on style agreeable and well explained.
The book appears to be, at least in part, a composite of her podcasts and blog posts. As much as I’ve loved her podcast and blog for the past few years, it sure is nice having it all in one convenient package. I especially love the Kindle format because it’s searchable. There is also an extensive index, so you can get quick answers to your most pressing grammar questions.
Best of all, Grammar Girl is perfect for creative writers because she’s not a grammar snob. She keeps it casual and lets you know when you should stick to the traditional rules in formal situations and when you can relax and go with common usage.
Tour the Book
The book starts out with a bunch of short and fast tips. You could easily read through a few pages a day and learn several new grammar rules per session. Then, when you’re warmed up, the book delves into deeper and more complex issues before shifting into proofreading tips and advice for coming up with writing ideas.
Here are some highlights from the book:
- It includes a discussion on whether to use they, one, or he or she as the singular pronoun for unknown entities. (Example: A writer should always carry their/his/one’s/his or her book.)
- There is an entire section devoted to Internet- and tech-speak.
- It includes a list suggestions for additional grammar, style, and other writing resources.
- Grammar Girl offers practical solutions for common problems and scenarios that writers face every day.
- The book includes information about every aspect of grammar from homophones and punctuation marks to dangling prepositions (it’s okay to dangle!) and split infinitives (it’s also okay to boldly go somewhere!).
I actually think this is a book everyone should own but especially writers. If you’re a new or beginning writer, it will give you a solid foundation in the rules of grammar and sentence structure. If you’re an experienced writer who knows the rules (or most of them), the book works as an awesome refresher course. Plus, it encourages you to think more clearly and carefully about how you construct your writing.
Meet Grammar Girl
Mignon Fogarty is the creator and voice behind Grammar Girl. She is also the founder of Quick and Dirty Tips. Mignon has written for magazines, worked as a technical writer, and is an entrepreneur. Much of her writing experience is in the fields of health and science. She holds a BA in English from the University of Washington and an MS in biology from Stanford.
Get Grammar Girl’s Writing Resources
Since discovering Grammar Girl, I’ve acquired plenty of fresh knowledge about grammar, some of which I’ve shared here in the Writing Forward grammar posts. Whenever I listen to her podcast, scan her blog, or read her book, I always pick up new insight into grammar and writing. I can’t recommend Grammar Girl enough. Creative writers definitely need to add this one to their libraries and writing resources!
Do you already listen to Grammar Girl or do you have any other writerly podcasts or writing resources that you enjoy? Leave a comment and let us know!
Poetry is the music of language, the fine art of the written word. It demands a broad vocabulary and creative thinking. It promotes rhythm and meter, and it invites imagery. Poetry triggers the imagination, engages the intellect, and touches the heart.
Reading and writing poetry are excellent practices for any writer. Through poetry, we learn the nuances of language, the power of showing rather than telling, and the necessity for clear and succinct wordcraft.
Basically, poetry reading and writing improves all other writing.
So, whether you are a poet or not, as a writer, a basic understanding of poetry will improve your writing exponentially. Can you succeed without it? Of course. But with poetry skills in your writer’s toolbox, your writing will soar.
Poetry starts in childhood with nursery rhymes and the beloved works of authors like Shel Silverstein and Dr. Seuss. But what comes next?
There is a vast universe of poetry out there, and it’s hard to know where to begin. Many young writers are turned off by poetry because most of what they’re exposed to in school is ancient or obscure. Many students believe poetry is strictly for lovers, greeting cards, and the academic elite. But in the world of poetry, where few do more than scratch the surface, there is something for everyone. So, where does one begin?
You can start exploring poetry with a few, basic resources. Mary Oliver’s A Poetry Handbook is foremost among them.
A Poetry Handbook
It’s a simple but comprehensive guide to reading and writing poetry. It’s a perfect introductory text — ideal for beginners and for folks who have strayed from poetry but feel like it’s time to come home.
Under 125 pages, this handbook is a quick and easy read with straightforward examples and clear explanations. Oliver talks about how to read a poem, how to imitate the greats, and then gets into the technical aspects of poetry, covering sound, literary devices, line, and form. Finally, she takes a look at free verse.
A Poetry Handbook touches on reading and writing poetry. It include poems and excerpts by accomplished poets and uses them as examples to teach you the nuances, structure, and techniques that go into poetry writing.
Mary Oliver herself is an acclaimed poet, and her tone is friendly and witty and easy to follow. From the text:
Something that is essential can’t be taught; it can only be given, or earned, or formulated in a manner too mysterious to be picked apart… Whatever can’t be taught, there is a great deal that can, and must, be learned.
If you’ve ever been captivated by the magic of language, then you have already experienced the power of poetry. The concepts you’ll learn in working with poetry can be applied to all forms, including fiction, journalism, and copywriting. So do yourself a favor and start collecting some writing resources that deal exclusively with poetry reading and writing. Having read dozens of books on poetry, I recommend starting with A Poetry Handbook.
There are a million ways to approach writing a novel. You can write a plot outline. You can create a series of scenes and use note cards to organize them. You can use a tried and proven formula from any number of plot writing resources. Or, you can create a couple of interesting characters and just start writing.
In 1999 Chris Baty rounded up 21 friends and together they set sail on a journey like no other. With no map and no compass, they each set out to write a novel in just one month (July).
Some of the crew got lost at sea. Others survived the voyage and reached dry land with scrappy but completed novels in hand.
“That [we] were undertalented goofballs who had no business flailing around at the serious endeavor of novel writing was pretty clear. We hadn’t taken any creative writing courses in college, or read any how-to books on story or craft. And our combined post-elementary-school fiction output would have fit comfortably on a Post-it Note.” — Chris Baty, No Plot? No Problem!
Despite their lack of talent and experience and despite the fact that more than half of the original crew went overboard, Chris Baty and his friends had unlocked one of the secrets of novel writing, and with that treasure in hand, Chris went on to found one of the most beloved and exciting writing events in the world.
National Novel Writing Month
Today, National Novel Writing Month (NaNoWriMo) takes place every November. In 2007, the event’s ninth year, over 100,000 participants signed up from all around the world, and over 15,000 reported that they finished their novels.
National Novel Writing Month has been expanded with Camp NaNoWriMo, which is basically NaNoWriMo in months other than November (this year, it’s April and July).
Some NaNos (that’s what participants are called) have even gotten book deals and published novels they wrote for NaNoWriMo. Others found that writing a book wasn’t as hard as they thought and went on to pursue a career in writing. A few discovered that writing a novel wasn’t the dream they thought it was and moved on to other endeavors.
But every person who signed up and went through NaNoWriMo came away with a valuable experience and new wisdom about what it means to write a novel.
Writing Resources Can Be Fast, Fun, and Functional
I read No Plot? No Problem! in one night. It only took a couple of hours and I enjoyed every minute of it. The book is straightforward and easy to read, but it’s also packed with humor. I found myself laughing out loud as I made my way through the chapters. More importantly, the book proved to be a useful addition to my ever-growing collection of writing resources.
Chris takes you through his own journey to becoming a novelist and then dives right in to the lessons he’s learned and techniques he’s discovered. Much of his advice centers around plot development (which is no surprise, considering the book’s title), and I was ecstatic since the one wall I kept crashing into with every novel attempt I’d ever made was plot. For each novel I started to write, I had plenty of characters, settings, and scenes. But no plot.
Chris Baty solved that problem for me. Oh sure, he touches on character creation, finding time to write, and why you shouldn’t EVER revise while you’re still plowing through your first draft. But more importantly, Chris revealed ideas for tackling plot that I’d never before considered (or even heard about).
A couple of weeks after I read the book, I diligently signed up for NaNoWriMo 2008 and hopped aboard my own ship. The voyage was sometimes smooth, sometimes rocky, but in the end, I reached the far shores as a novelist. And while I’m the one who wrote that novel, I have to thank Chris Baty not only for founding the event that led me to write my first novel in just thirty days, but also for his funny, insightful, and informative book on novel writing and plotting.
Believe it or not, there is a plot lurking around somewhere inside that muddled imagination of yours. There are also characters, scenes, themes, and a whole lot more. No Plot? No Problem! will help you dig through the muck and unearth the novel that’s waiting to be written.
Get Your Novel Off the Ground
Whether you plan on participating in NaNoWriMo this year or if you just want to write a novel at your own pace, this is one of the best writing resources for starting and finishing your novel. My own experience with this book is proof that by changing the way you approach novel writing, you can also change the outcome and finally succeed. Next time you have an idea for a novel or start a novel project, you’ll actually finish it!
Get your copy of No Plot? No Problem! today.
We usually understand a journal to be a place for writing about ourselves, but journals can be used for plenty of other purposes, many of which are especially useful to writers.
I’ve had my share of adventures in journal writing. As a teen, I kept a diary. Later, I had a poetry journal. I tried dream journaling, art journaling, and sometimes I keep a gratitude journal.
I believe journal writing is a huge boon to writers, especially when we’re not working on a specific project or when we’re looking for our next big project.
Today, I’d like to share a few of my favorite journal writing tools and resources.
A Place to Create
It’s been said a million times: If you want to be a writer, you have to write. I would add that if you want to be creative, you have to create. Sitting around and waiting for a big, blockbuster idea won’t do you any good. You’ve got to practice. And keeping a journal is a great way to practice writing and foster creativity every single day.
What I love best about my journal is that there are no rules. It’s my own little creative space. I use it for freewriting, sketching, and writing down my thoughts. I don’t write in my journal every day, but before I started blogging and writing professionally, I was pretty diligent about using my journal for routine writing practice.
I’ve been poking around the web in search of some of the best tools and resources for journaling with an emphasis on creativity and writing. Here’s what I found:
Moleskines are the most popular notebooks for writers and artists. They come in various sizes ranging from pocket-sized to 8 x 10 (inches) and with various paper, including blank or lined pages, thick paper, or regular note paper. There’s a pocket in the back, a placeholder ribbon, and a strap that keeps the journal closed. Moleskines were popular with Vincent van Gogh, Pablo Picasso, and Ernest Hemingway, so they’ve got solid endorsement. I’ve had one for several years but only recently started using it and discovered that I absolutely love it.
The Artist’s Way
This classic book for writers and artists is well known for giving us “morning pages” and inspiring writers, artists, and other creatives to create on a daily basis. The Artist’s Way has become a staple among all kinds of artists from filmmakers to crafters. You’re sure to find something to help you establish a writing routine, improve your writing skills, or overcome writer’s block in this book, which includes a 12-week program packed with activities and exercises that you can do.
Paper Mate Profile Pens
I’ve never been into fancy, expensive pens. Frankly, I go through far too many pens to spend a lot of money on them and we all know how easily pens get lost. I also like to have a range of colors at my disposal. I’ll use a color that matches my mood, or I’ll use colors to create outlines and mind maps that are color coded and easy to navigate. These Paper Mate Profile Pens are the best! They write smoothly, have a nice grip, and are affordable. Plus, you can buy them singly or in a package of assorted colors. They’re also great for doodling and sketching in the margins!
Day One Journal App
One of the great things about technology for writers is that it provides a simple way to create, organize, and store your work. Gone are the days when we filled notebooks with novels and then transcribed them on typewriters. New technology is just as useful for journaling and keeping notes. Day One is a journal app available for the Mac, iPhone, and iPad. It’s one of the most popular journal apps with features that include password lock, calendar view, photos, inspirational messages, plus it syncs with iCloud and Dropbox.
Wreck This Journal
Wreck This Journal unleashes your inner artist and allows you to be creative without fear of failure because the journal is designed to be wrecked. It’s a great way to get your creativity out of the box. As you work your way through the journal, you’ll cut, tear, and thrash the book. You start letting go of constraints and inhibitions, allowing yourself to make mistakes and create poorly crafted prose, giving your creativity the courage it needs to take risks.
A Few More Goodies
- Managed by a team of journal guides, Journal in a Box features a blog about journaling, home courses on journaling, and a line of journals that you can buy.
- I love this: 1000 Journals are traveling from hand to hand throughout the world.
- Here at Writing Forward, we’ve talked a lot about writing groups, but did you know there are also journal groups? (I didn’t!)
- Before Moleskine, this was my favorite journal: The Watson-Guptill Sketchbook. I’ve been using these for well over a decade and they house my most precious journal writing material (freewrites, poems, reflective journals, drawings). They come in various sizes and colors, have hard covers and blank pages.
- Last but not least, this lovely little video explains the art of journaling and the freedom that a journal brings:
People use journals for a variety of purposes — for self-improvement, personal reflection, heritage preservation, creativity, tracking professional progress, and writing practice. Do you keep a journal or use a notebook? How has journal writing helped you? Got any journaling tips or resources to add to this list? Leave a comment, and keep journaling!
Writing resources are easy to come by. But good writing resources, ones that will truly help you improve your writing, can be difficult to scout out among the many books on writing that are available.
Originally published in 1959, The Elements of Style has been a fixture among writers who want to compose words with poise and clarity. Coming in at under 100 pages, it’s a quick read packed with style tips, grammar usage, and general advice on writing.
The Elements of Style was the first writing book I ever owned. In sixth grade, when I was assigned my first term paper, one of the requirements was to use this book. It was only recently that I finally upgraded to the latest edition and read it in its entirety for the first time, and I was impressed beyond measure.
The Elements of Style
Of all writing resources, The Elements of Style is probably the most well-known. Since it was first published, it has helped millions of writers and is the only style guide that has ever graced the bestseller list.
William Strunk Jr., late professor of English at Cornell University, first wrote the book for his students. One of those students eventually became one of the most beloved writers of the twentieth century. E.B. White, author of such great literary works as Charlotte’s Web, Stuart Little, and The Trumpet of the Swan, was asked to prepare an edition of the book for the general public. He revised Strunk’s original work, added a final chapter, and The Elements of Style was born.
The story of this little book is fascinating – but its real value lies in the content.
Writing Resources You Can Actually Use
Most writing resources and style guides are presented as reference material. Using an index, you visit your resource only when you need to look up something specific. The Elements of Style is an interesting cover-to-cover read, one that you can easily finish in less than a day.
Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all sentences short, or avoid all detail and treat subjects only in outline, but that every word tell.
-William Strunk, Jr. from The Elements of Style
The book is so small, you can carry it in your purse, your pocket, or keep it conveniently tucked away in your laptop bag. Each chapter is concise, and takes you straight to the point. There are no fancy introductions or lengthy explanations – just hard-and-fast tips, rules, and recommendations.
There are just five chapters:
- Elementary Rules of Usage
- Elementary Principles of Composition
- A Few Matters of Form
- Words and Expressions Commonly Misused
- An Approach to Style
Within these chapters, you will find answers to the most common and nagging questions that perplex writers at all levels, from the young beginner to the mature master. Plus, there’s a handy glossary that provides definitions for terms used throughout the book.
Essential for Writers
There are plenty of useful writing resources available. Some of them are designed for general usage and provide readers with the straight facts about style and grammar. Others offer information for specialists (fiction or poetry writing, for example). Few are as useful or convenient as The Elements of Style, a book that every writer simply must possess.
Do you have a copy of The Elements of Style? Why or why not? What are some of your favorite writing resources?
Human beings are built for story.
Story is how we perceive the world around us and how we understand ourselves and other people. Through story, we learn and make connections. We use story to map the future and study the past.
Stories are the single most effective tools for education, communication, and persuasion, which is why stories are prevalent in advertising and political campaigning. Marketers know the power of story.
Stories are powerful because we see ourselves in them. We put ourselves into the stories we read and experience things we could never otherwise experience.
Put simply, stories transcend.
Telling True Stories
Telling True Stories is, foremost, a book on the craft of narrative journalism, which is the art of telling true stories while adhering to the standards of journalism. It’s a dense book (the paperback is 317 pages), filled with essays and stories about reporting and writing, but its greatest value is the experience and wisdom shared by its authors.
“Stories are parables. Write and edit and tell yours with meaning, so each tale stands in for a larger message, each story a guidepost on our collective journey.” – Jacqui Banaszynski, Telling True Stories
This collection of essays features some of the most successful and prominent journalists and nonfiction authors. Every year, these writers gather for Harvard’s Nieman Conference on Narrative Journalism. Telling True Stories offers their best insights from finding the right topic to structuring a story, from ethical considerations to building a career.
Insights from Telling True Stories
In my experience, reading books on the craft of writing that are outside my form or genre is one of the best ways to gain a deeper understanding of the craft as a whole. If you’re a fiction writer and all you do is read fiction (and books on fiction writing), you’re missing out on the many nuances of writing that are simply not addressed in the realm of fiction. I have found that my studies of poetry have greatly enriched all my other writing, from copywriting and blogging to fiction writing.
So I wasn’t surprised to find that, even though I’m not a journalist, there were plenty of wonderful nuggets of writing advice and insight that I could easily apply to my own writing. Some insights were new; others were welcome reminders:
- The ending must bring a payoff. (p. 28)
- Every deep story involves a subjective person slamming into an objective world. (p. 35)
- The first draft takes the longest and is the most painful. (p. 53)
- You start with an unformed, fuzzy idea, throw it into a funnel, and out comes a focused, purposeful story. (p. 55)
- Writing is like scraping off a piece of yourself; people can see beneath your skin. (p. 100)
- Why should the reader be expected to just lie flat and let these people come tromping through as if his mind were a subway turnstile? (p. 101)
- Every detail you select should help communicate your story’s theme. (p. 147)
- The editor is the reader’s professional representative. (p. 197)
- Successful rewriting requires a fierce sense of competition with yourself, not anyone else. You must be dogged in reaching for your personal best. (p. 205)
- When a good editor or another reader gives you feedback, listen hard to everything he or she says. This isn’t a time to protect your ego; it’s an opportunity to re-explore your story and force yourself to delve even deeper. (p. 207)
- One way to attract readers is to create an irresistible central character, one the reader truly cares about. (p. 219)
- Every story contains an engine: the unanswered question that keeps the reader going. (p. 220)
This is just a small sampling of the wit and wisdom that I discovered while reading Telling True Stories. But this isn’t one of those books that you can’t put down. I found that I needed to read it in small chunks, which is unusual for me since I usually either inhale a book or cast it aside after the first few chapters. With Telling True Stories, I wanted to read a few essays, then chew on what I’d read.
It also made me want to write. Sometimes I had to put the book down so I could work on my own story, (which is not a true story, by the way). Like I said, I’m not a journalist, but I learned a lot about my own writing craft from the narrative journalists who shared their expertise and experience in this wonderful collection of essays.
If you’re anything like me, you’re always looking for books on the craft and other writing resources that you can use to strengthen your writing skills or inspire fresh ideas. Telling True Stories will be a valuable addition to your collection of writing resources.
“I used to think freedom meant doing whatever you want. It means knowing who you are, what you are supposed to be doing on this earth, and then simply doing it.” – Natalie Goldberg, Writing Down the Bones
Ah, words of wisdom.
I was assigned Writing Down the Bones by Natalie Goldberg for a creative writing course in college. We were supposed to read a chapter or two a week, but I had a hard time putting it down and ended up inhaling the entire volume in a couple of days. It’s one of the best writing resources on the market but what’s great about this book is that it’s a blast to read.
Goldberg, who has penned a number of books about writing, including several well-known writing resources, mastered the mechanics of writing in college. It was later that she discovered how to tap into her creativity and write more artfully. Four years after that discovery, she began teaching writing workshops and has since become a widely adored master of the craft.
Priceless Writing Resources
“This is the practice school of writing. Like running, the more you do it, the better you get at it.” – Natalie Goldberg, Writing Down the Bones
Writing Down the Bones is a good place for young or new writers to start. The first chapter discusses pen and paper and how to select appropriate materials, supplies, and other writing resources.
Yet the book is also ideal for seasoned writers who are ready to get serious about the craft. That’s where I was with my own writing when I was first introduced to this book, and it made me realize that writing could be more than just a way to pass the time when I was feeling inspired.
Natalie Goldberg will teach you how to freewrite (she calls this the timed exercise), how to make writing a daily practice, and she’ll give you countless ways to explore your writing on a deeper and more creative level. From setting up your own writing space to finding topics to write about and unlimited sources of inspiration, she crams in enough ideas to keep you busily writing for years to come.
“Natalie’s experience in Zen meditation, which is essentially a subtractive process, has provided her insights.” – Robert Pirsig, author of Zen and the Art of Motorcycle Maintenance
With over seventy chapters, each just a couple of pages long, this text is a quick and easy read. At the same time, it’s packed with ideas, information, inspiration, exercises, and writing tips that will get you writing, and keep you on task.
This is one of my favorite writing books, and the first one that I recommend to anyone who loves to write and everyone who shows the slightest interest in writing.
Have you read Writing Down the Bones? What did you think of it? Are there any other books or writing resources for creative writers that you would recommend?