Please welcome guest author Alyssa Hollingsworth with tips on writing dialect.
I’ll be honest: I’ve always been terrified of dialect because it’s easy to get wrong. But when done well, it can make a story shine.
When you’re writing in first person, it is important to consider who your narrator is and how she or he speaks (or writes, as the case may be). This is important whether you’re writing contemporary, historical, or fantasy fiction. Read more
Please welcome guest writer Bessie Blue with some tips on polishing your manuscript.
Have you ever written a first draft and edited it in next to no time? You found three grammar mistakes—typos, really—and your outline was so solid there were no plot holes.
As you sent your story to writing contests, you were bothered by a nagging thought: you just knew you could still improve your manuscript. But you didn’t know how.
So off the story went. And sure enough, it wasn’t accepted into a single contest.
I’ve struggled with this problem, and I’ve learned a thing or two about editing and proofreading. Read more
Please welcome guest author Lisa Tener with a post on connecting with your muse as a way to overcome writer’s block and achieve better creativity.
Maybe you’re familiar with the term muse, which comes from the ancient Greeks and refers to the goddesses who inspire the creation of literature and the arts.
In my work with writers, I often refer to “the muse” or “your muse” as a point of access for inspiration and as a resource to get out of a rut, unblock, find clarity on a particular question, and consistently write in a state of flow.
You can think of your muse as an aspect of yourself—imagine a part of you that has solutions for every creative challenge. It has the power to shift negative beliefs and habits that get in the way of your creative flow. Your muse can boost your creativity and help you tap into it with ease. Your muse may help you find the perfect title or even the perfect time of day to write. Read more
Please welcome guest author Alana Saltz with a heartwarming article on writing memoirs.
As a genre, memoir has been growing exponentially each and every year. More and more people are finding the strength, courage, and determination to write about their experiences in a compelling and literary way. The success of memoirs like Cheryl Strayed’s Wild and Augusten Burrough’s Running With Scissors, which were both adapted as feature films and released in theaters worldwide, help demonstrate that the world is slowly beginning to embrace the genre. Read more
Please welcome guest author Tamara Girardi with a post that challenges the old adage, “write what you know.”
In mid-October, I attended a literary evening with Jodi Picoult as part of the Pittsburgh Arts & Lectures series.
My immediate impression of Picoult: she was incredibly gracious and pleasant. At a reception prior to the event, she worked the room with a genuine smile, taking pictures and shaking hands. During one conversation, she laughed so loud with an attendee the room took notice. In other words, she was lovely.
So was her talk. Read more
Please welcome Natasa Lekic from NY Book Editors with a post that will help you handle rejection letters. Read well, because this post is packed with excellent advice.
Rejection letters are a cruel, inevitable part of every writer’s life. However, they shouldn’t derail your writing habits, which is why it’s critical to get over rejection notes as quickly as possible. To do this, you need to understand their actual value and how it compares to the act of writing.
The advice below will help you cultivate habits and a state of mind that will make rejections feel like a passing annoyance. Read more
Please welcome guest author Bryan Collins with a post exploring four types of writing.
This craft of ours is hard. You’ve got an idea, you’ve finished your research, and you know you’ve got something important to write about. There’s just one problem. When you try to write, the words feel slow, awkward, and off target.
Do you want to know a secret?
Good writing does at least one of four things: it educates, informs, entertains or inspires. Read more
Please welcome Warren Adler, author of The War of the Roses, with an article that compares print and digital book launches and examines the impact of traditional versus independent publishing on authors’ careers.
The launch of a book, be it the first for an author or their most recent release, has always been the established gateway for traditional publishers to introduce a new work. The launch of a book is like the birth of a baby: crucial and necessary. There is, after all, no future for an unsuccessful birth. For the author, like anything born into a lifecycle, it is the aftermath that really matters, and for those authors seeking career continuity, and even enduring recognition, digital publishing has offered a widening arena of options for keeping a book from disappearing. Read more
Please welcome guest author Jack Woodville London, author of A Novel Approach (To Writing Your First Book).
“What I find hard about writing,” Nora Ephron said, “is the writing.”
There’s a difference between writing and typing. Writers produce. Typists reproduce. Okay, that’s a bit harsh. Writers believe that a story worth telling is worth telling well. Writers believe that a turn of phrase can invoke a vision, that the choice of exactly the right word will lead someone to think about something in a new light, will persuade, will entertain. Some writers are blessed with a combination of neurons, synapses, left brain cells (or is it right?) that make their words flow onto the page or screen with clarity and purpose. The other ninety-nine percent of us must draft, erase, revise, delete, change, correct, and revisit, so that in the end, after many drafts and rewritings, it looks like it wasn’t hard.
We want to be writers. Where to begin? Read more
Please welcome guest author Marcy McKay with her top secret for successful writing.
You finally muster the courage to let someone else read your work. A live human being, a person who is actually qualified to share his or her opinion on your writing (unlike your Great Aunt Edna who thinks everything you do is perfect).
This individual reads your piece and gives a vague response. “It’s good. I mean, I like it, but something is missing.”
It’s similar to when you try to duplicate that delicious pizza from your favorite restaurant on your own. It tastes okay, but something still seems off – just not quite right.
So, what’s that certain spice for your writing? The recipe for literary success? Read more
Please welcome guest author Ali Luke with a post on making adjustments to your physical environment to help your writing.
Do you struggle to get into writing?
Perhaps you sit down with your favorite notebook on a regular basis, but you never seem to get far.
Your kids start arguing. Or you get a backache. Or you’re distracted by that neighbor doing yet another bout of DIY. Or an urgent email pops up for your attention.
External factors aren’t the only (or the biggest) distractions that affect our writing, but they make a surprising difference in our ability to be productive.
If you’re already struggling to focus, a few distractions and irritations can easily be enough to make you give up for the day.
Here are seven key factors that influence how well – or how wrong – your writing sessions go. Which of these could you tweak today? Read more
April is National Poetry Month! Please welcome guest poet Bartholomew Barker with some tips on participating in Writer’s Digest’s Poem-a-Day Challenge.
I agree with T. S. Eliot, “April is the cruelest month.”
April is National Poetry Month. For the past seven years, Writer’s Digest editor Robert Lee Brewer has presented the April Poem-A-Day Challenge on the Poetic Asides blog. Brewer posts a prompt each morning and poets around the United States write a new poem that very day. This means thirty new poems per writer by the time May flowers.
It’s a brutal challenge, but satisfying for those who finish. This is my third year taking the challenge.
Brewer requests participants submit their top five poems written in April. He creates a best-of list and names a Poet Laureate. This year, in conjunction with Words Dance Publishing, he will produce an anthology of the winning poems. How does he plan to inspire writers?
“I love to write and use both ideas and images to get started. For my prompts, I try to make them specific enough that most poets have a firm springboard into their own poems, but I also like them to be open to a variety of interpretations,” Brewer explained. “For instance, a weather poem could mean a weatherman to one person, a tornado to someone else, and forgetting to bring an umbrella to yet a third person.” He wants to offer a “focused freedom” every day of the challenge.
Thousands of writers attempt the challenge. They may keep a strong pace for the first few days, but many tire of the daily requirement. Life’s obligations take over and stanzas don’t write themselves.
I offer a few tips to help writers keep their pens going. For two of the past three years Brewer has honored my poems. How did I make it through the daily challenge, push through the mental fatigue, and make time to write an original poem every day? Here’s how:
- Use the whole day. Writing a poem each day for thirty consecutive days is a test of endurance. The peculiar mental fatigue turns some writer off. My routine involves reading the prompt first thing in the morning, then I let it irritate my mind while I’m at my day job. In the evening I force something out and hope it’s a pearl.
- Just write. What if you miss a day? Doesn’t matter. Some days we’re busy. Move on. Take the next prompt and ignore the previous one, or write a poem a day late or a week later. Whatever. Just write. Use your own prompts if necessary.
- Let it go. I don’t expect to produce thirty masterpieces in April. If I get five decent poems, it’s a good month. I hope to get ten more that, with a lot of revision, could be crafted into something (that’s what May is for). Just get the poem out before falling asleep. For instance, here was the prompt for April 27th, 2011:
Take the phrase “In the (blank) of (blank),” replace the blanks with a word or phrase, make the new phrase the title of your poem, and then, write your poem. Some possible titles might include: “In the Heat of the Night,” “In the Heat of the Moment,” “In the Middle of a Heated Argument,” etc.
In the last week of the month
In the last hour of the day
Desperate to keep
The streak alive
He types his internal monologue
Inserting line breaks
Removing superfluous words
Hoping for a coda
I got nothin’
After 26 poems in 26 days, my exhaustion shines through. The key is to let it go and not worry about quality.
It helps to consider something like Poetry on Demand which is a valuable exercise in public poetry. Living Poetry, the group I help organize in North Carolina, sets up a table at street festivals. We write poems in three minutes for passersby who offer us one dollar and one word as a prompt. There’s only so much poetic trickery one can include in three minutes, so we just write, read the poem aloud, give the customer their poem, and move on to the next. While I’m sure plenty of my poems ended up in trash bins, I was told some are posted on refrigerators. It’s a poet honor.
I suggest all poets attempt the Poem-A-Day challenge at least once in their lifetime. Consider it a pilgrimage. All that is required is to write. Just like life, rules can be followed or not. Poems can be shared or not. It doesn’t matter. Use the whole day. Let it go, and just write.
About the Author: Bartholomew Barker is a poet based in Hillsborough, North Carolina. His poetry made the Top 25 nationally in the 2013 Poem-a-Day Challenge. Wednesday Night Regular, his debut poetry book, was published in November 2013. Bart’s work has appeared in Dead Mule School of Southern Literature, Three Line Poetry, and the anthology Point Mass. He is one of the organizers of the Triangle’s largest group of poets, Living Poetry. His Twitter handle is @bartbarkerpoet.